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## Action
### PDF
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### 360 Video
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## Popup
### Body
htmlText_6CED7DB5_5959_3373_41D3_8B1C85F83172.html = An Open Letter To Everyone
An Open Letter To Everyone is a text-based artwork, which promotes the importance of
humanity, humaneness and the peaceful coexistence in society, including the support, the encouragement and helpings others during current crises that are happening around the world, and all of us are facing on the crises together, for example, the pandemic of COVID-19, climate change, wars, political conflicts and economy problems.
Best Regards,
Mr. Supapong Laodheerasiri
A Lecturer at Department of Fine Arts, School of Architecture, Art, and Design,
King Mongkut's Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand
ศุภพงศ์ เหล่าธีรศิริ
อาจารยป์ระจําภาควชิาศิลปกรรมคณะสถาปัตยกรรมศิลปะและการออกแบบ
สถาบันเทคโนโลยพระจอมเกลา้เจ้าคุณทหารลาดกระบัง (สจล.)
An Open Letter To Everyone
An Open Letter To Everyone is a text-based artwork, which promotes the importance of
humanity, humaneness and the peaceful coexistence in society, including the support, the encouragement and helpings others during current crises that are happening around the world, and all of us are facing on the crises together, for example, the pandemic of COVID-19, climate change, wars, political conflicts and economy problems.
Best Regards,
Mr. Supapong Laodheerasiri
A Lecturer at Department of Fine Arts, School of Architecture, Art, and Design,
King Mongkut's Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand
ศุภพงศ์ เหล่าธีรศิริ
อาจารยป์ระจําภาควชิาศิลปกรรมคณะสถาปัตยกรรมศิลปะและการออกแบบ
สถาบันเทคโนโลยพระจอมเกลา้เจ้าคุณทหารลาดกระบัง (สจล.)
"Hello all, I would like to offer my warmest wishes to everyone affected by this terrible war, please hang in there. Things will be getting better and may you surround yourself with hope and positivity! To the artists and creatives affected by the war, stay strong and keep the creative spirit alive! Sending you love from Singapore!"
- Jaxton Su, independent artist/curator from Singapore
"Hello all, I would like to offer my warmest wishes to everyone affected by this terrible war, please hang in there. Things will be getting better and may you surround yourself with hope and positivity! To the artists and creatives affected by the war, stay strong and keep the creative spirit alive! Sending you love from Singapore!"
- Jaxton Su, independent artist/curator from Singapore
'As a Korean artist who lives with the traces of war in a divided country, I know the sorrow of war better than anyone else. My grandmother, who died two years ago, had missed her hometown for the rest of her life, but she was never able to visit it again for 70 years after the armistice.It may not be there anymore, my grandmother's family was in North Korea. The war has been stopped for more than 70 years in the name of peace and in a strange form, but the sadness of not seeing her family had been unstoppable for more than 70 year.
Now would My grandmother have met her family, whom she now longed for in a world without war?
I hope that Ukraine will be filled with peace and happiness again soon.'
All the best,
Darae
'As a Korean artist who lives with the traces of war in a divided country, I know the sorrow of war better than anyone else. My grandmother, who died two years ago, had missed her hometown for the rest of her life, but she was never able to visit it again for 70 years after the armistice.It may not be there anymore, my grandmother's family was in North Korea. The war has been stopped for more than 70 years in the name of peace and in a strange form, but the sadness of not seeing her family had been unstoppable for more than 70 year.
Now would My grandmother have met her family, whom she now longed for in a world without war?
I hope that Ukraine will be filled with peace and happiness again soon.'
All the best,
Darae
Business contact information
Email: info@openplace.com.ua
Postal address for resolving legal disputes: Bilhorodska str.6, apt 67, 03037 Kyiv, Ukraine
Contact phone number: +38 (050) 186-90-952
Target amount being raised: $30,000
A Letter to the Ukrainian People (translated)
Win-Wei Li
It has been almost two months since the Russian invasion of Ukraine on February 24, 2022. In the TV news, the imagery of the ruins on the streets and the motivational speeches as well as the persistent demeanor of the Ukrainian president made me realize that peace is grounded on the struggles of the predecessors. All the effort made and the strength shown by the Ukrainian people is very palpable here in Taiwan, as we also neighbors an authoritarian world power, await to take over us. We appreciate that the Ukrainian people try hard to show the cruelty and the reality of the war to the world, besides its absurdity and injustice. In response, we donate and show our support and solidarity in other humanitarian ways, which highlights the value of democracy and freedom.
Seeing the boy in the trailer naively say that he wants to become an astronaut and explore the space, I almost cried and wondered if the children still have the possibilities to pursue their dreams as the war continues. It reminded me of a remark made by the philosopher Aristotle that the purpose of war is peace. The Russian president has experienced a setback as the planned quick victory turned out to be seesaw battles. Nevertheless, I hope the war to be concluded as soon as possible so that people can return to their land and rebuild homes, peacefully and freely, without any concern of military aggression. May the sun shine, the children laugh, their dreams pursued, and the real peace be realized.
As the speech made by president Biden on the united effort of the free world to support the people of Ukraine goes, “ A dictator bent on rebuilding an empire will never erase a people’s love for liberty. Brutality will never grind down their will to be free. Ukraine will never be a victory for Russia—for free people refuse to live in a world of hopelessness and darkness. We will have a different future—a brighter future rooted in democracy and principle, hope and light, of decency and dignity, of freedom and possibilities.” I believe in hope and in the resilience and the strength of the Ukrainian people. I believe Ukraine will win its victory and open a new page of history.
給烏克蘭人民的一封信(original text)
李欣薇
2022年2月24日俄烏戰爭再起，開打至今已經快兩個月了，每次打開新聞看到戰爭畫面—烏克蘭街頭上的斷壁殘垣景象，再看著新聞畫面上的烏克蘭總統激昂演說堅決不認輸模樣，我體認到原來和平是建立在前人努力抗爭來的，而您們烏克蘭人民的努力與堅強的身影，讓身在台灣的我們，對烏克蘭的處境有息息相惜之感，因我們旁邊都有一個獨裁強國虎視眈眈等著想要併吞，而烏克蘭人民一直很努力地想把這戰爭的殘酷與現實告訴全世界，訴說著這場不公不義的戰爭。而這場戰爭，也讓我們深同感受，紛紛給予金錢援助、人道救助等方式去幫助，也突顯出民主自由的可貴。
預告片中有一段小孩天真無邪的講著想當太空人，可以去外太空遊玩，看到此我就一陣鼻酸，現在戰爭烽火再起，也不知道那些無辜的兒童還能不能有實現夢想的機會？我想起哲學家亞里士多德曾說：「戰爭的目的必須是為了和平。」在這場戰爭裡俄羅斯總統已經踢到鐵板，本以為能快速打下基輔，變成現在拉鋸戰，而我願戰事能快點落幕，和平到來，烏克蘭人民能安心好好地重建家園，能自由的大步走在自己的土地上，而不用擔憂被打被抓，在那美麗的陽光灑下，有孩童的歡笑聲，有夢想飄揚著，實現真正的和平。
如同3月26日晚間拜登在波蘭首都華沙的皇家城堡發表了關於自由世界聯合努力支持烏克蘭人民的演講，最後說道：「一個一心想要重建帝國的獨裁者永遠不會抹殺一個民族對自由的熱愛。殘暴永遠不會磨滅他們對自由的意志。烏克蘭永遠不會成為俄羅斯的勝利，因為自由的人們拒絕生活在一個無望和黑暗的世界裡。我們將有一個不同的未來，一個更光明的未來，植根於民主和原則、希望和光明。在體面和尊嚴以及自由和可能性中。」我相信希望，也相信您們烏克蘭人民的那份堅韌精神，對抗外敵的勇氣，我相信終究會戰勝，開啟新的歷史一頁。
A Letter to the Ukrainian People (translated)
Win-Wei Li
It has been almost two months since the Russian invasion of Ukraine on February 24, 2022. In the TV news, the imagery of the ruins on the streets and the motivational speeches as well as the persistent demeanor of the Ukrainian president made me realize that peace is grounded on the struggles of the predecessors. All the effort made and the strength shown by the Ukrainian people is very palpable here in Taiwan, as we also neighbors an authoritarian world power, await to take over us. We appreciate that the Ukrainian people try hard to show the cruelty and the reality of the war to the world, besides its absurdity and injustice. In response, we donate and show our support and solidarity in other humanitarian ways, which highlights the value of democracy and freedom.
Seeing the boy in the trailer naively say that he wants to become an astronaut and explore the space, I almost cried and wondered if the children still have the possibilities to pursue their dreams as the war continues. It reminded me of a remark made by the philosopher Aristotle that the purpose of war is peace. The Russian president has experienced a setback as the planned quick victory turned out to be seesaw battles. Nevertheless, I hope the war to be concluded as soon as possible so that people can return to their land and rebuild homes, peacefully and freely, without any concern of military aggression. May the sun shine, the children laugh, their dreams pursued, and the real peace be realized.
As the speech made by president Biden on the united effort of the free world to support the people of Ukraine goes, “ A dictator bent on rebuilding an empire will never erase a people’s love for liberty. Brutality will never grind down their will to be free. Ukraine will never be a victory for Russia—for free people refuse to live in a world of hopelessness and darkness. We will have a different future—a brighter future rooted in democracy and principle, hope and light, of decency and dignity, of freedom and possibilities.” I believe in hope and in the resilience and the strength of the Ukrainian people. I believe Ukraine will win its victory and open a new page of history.
給烏克蘭人民的一封信(original text)
李欣薇
2022年2月24日俄烏戰爭再起，開打至今已經快兩個月了，每次打開新聞看到戰爭畫面—烏克蘭街頭上的斷壁殘垣景象，再看著新聞畫面上的烏克蘭總統激昂演說堅決不認輸模樣，我體認到原來和平是建立在前人努力抗爭來的，而您們烏克蘭人民的努力與堅強的身影，讓身在台灣的我們，對烏克蘭的處境有息息相惜之感，因我們旁邊都有一個獨裁強國虎視眈眈等著想要併吞，而烏克蘭人民一直很努力地想把這戰爭的殘酷與現實告訴全世界，訴說著這場不公不義的戰爭。而這場戰爭，也讓我們深同感受，紛紛給予金錢援助、人道救助等方式去幫助，也突顯出民主自由的可貴。
預告片中有一段小孩天真無邪的講著想當太空人，可以去外太空遊玩，看到此我就一陣鼻酸，現在戰爭烽火再起，也不知道那些無辜的兒童還能不能有實現夢想的機會？我想起哲學家亞里士多德曾說：「戰爭的目的必須是為了和平。」在這場戰爭裡俄羅斯總統已經踢到鐵板，本以為能快速打下基輔，變成現在拉鋸戰，而我願戰事能快點落幕，和平到來，烏克蘭人民能安心好好地重建家園，能自由的大步走在自己的土地上，而不用擔憂被打被抓，在那美麗的陽光灑下，有孩童的歡笑聲，有夢想飄揚著，實現真正的和平。
如同3月26日晚間拜登在波蘭首都華沙的皇家城堡發表了關於自由世界聯合努力支持烏克蘭人民的演講，最後說道：「一個一心想要重建帝國的獨裁者永遠不會抹殺一個民族對自由的熱愛。殘暴永遠不會磨滅他們對自由的意志。烏克蘭永遠不會成為俄羅斯的勝利，因為自由的人們拒絕生活在一個無望和黑暗的世界裡。我們將有一個不同的未來，一個更光明的未來，植根於民主和原則、希望和光明。在體面和尊嚴以及自由和可能性中。」我相信希望，也相信您們烏克蘭人民的那份堅韌精神，對抗外敵的勇氣，我相信終究會戰勝，開啟新的歷史一頁。
Even in the darkest moments, art has the power to bring light. It can change hearts and minds and, I hope, provide solace for the Ukrainian people.
-Ambassador Tsai Ming-Yen, Taipei Representative Office in the European Union and Belgium
Even in the darkest moments, art has the power to bring light. It can change hearts and minds and, I hope, provide solace for the Ukrainian people.
-Ambassador Tsai Ming-Yen, Taipei Representative Office in the European Union and Belgium
Notes On War And Love
Imperial colonial optics always presuppose myopia. Expecting to take Ukraine in a matter of days, Russia underestimated the Ukrainian army as much as it underestimated Ukrainian culture, identity, and ability to mobilize and support each other in critical situations. Almost everyone in the country who is not at war has become a volunteer today. One of the key things that Ukraine is able to oppose Russia in this war of aggression is strong and extensive horizontal ties, repeatedly strengthened by a sense of unity in the face of a common threat and common pain.
This rhizomatic pain, which pervades your whole being, manifests the same rhizomatic love. Love stitched in every molecule. This is not an abstract construct of "love of country" – majestic, hierarchical, and dehumanizing, as is customary for the imperialists. This love is horizontal, decentralized, networked, poetic and very specific, and effective. This love keeps heaps of everything and everyone. It can’t be destroyed by any horrors or doubts, because it is not fragile and doesn’t break. It’s not stored in one place. It’s tight and evenly distributed, self-healing, it’s everywhere, in the stem cells, from which we are able to grow anything that will be needed. They can bomb our cities and oil depots. But our main fuel is evenly distributed in millions of reservoirs, and i’s inexhaustible.
Natalia Matsenko (Journalist, Ukraine)
Notes On War And Love
Imperial colonial optics always presuppose myopia. Expecting to take Ukraine in a matter of days, Russia underestimated the Ukrainian army as much as it underestimated Ukrainian culture, identity, and ability to mobilize and support each other in critical situations. Almost everyone in the country who is not at war has become a volunteer today. One of the key things that Ukraine is able to oppose Russia in this war of aggression is strong and extensive horizontal ties, repeatedly strengthened by a sense of unity in the face of a common threat and common pain.
This rhizomatic pain, which pervades your whole being, manifests the same rhizomatic love. Love stitched in every molecule. This is not an abstract construct of "love of country" – majestic, hierarchical, and dehumanizing, as is customary for the imperialists. This love is horizontal, decentralized, networked, poetic and very specific, and effective. This love keeps heaps of everything and everyone. It can’t be destroyed by any horrors or doubts, because it is not fragile and doesn’t break. It’s not stored in one place. It’s tight and evenly distributed, self-healing, it’s everywhere, in the stem cells, from which we are able to grow anything that will be needed. They can bomb our cities and oil depots. But our main fuel is evenly distributed in millions of reservoirs, and i’s inexhaustible.
Natalia Matsenko (Journalist, Ukraine)
Russian Invasion of Ukraine: Make Art Not War (translated)
Chia-Chieh Lee
Driven by lust for power and his egoism, Vladimir Putin, a brutal warlord, turned a blind eye to history, reenacted the tragedy, and seeded hatred by launching the war. The Russian invasion of Ukraine has been more than a month, causing countless innocent civilians and children to die from explosion, abuse, and other forms of violence. In the news, the mourning Ukrainian swore to cut Putin’s throat. The war not only ruins the cities but also deepens the anger long borne by the Ukrainian. If the president of Russia has any sympathy for the people and their lives, he ought to put down the guns as well as his power.
The Voice of Art
In 2016, before the outbreak of the pandemic, I saw a work entitled, “Make Art Not War,” at TATE in London. Back then, I was a young student born in the 90s and had not experienced or witnessed a war. I couldn’t fully grasp the significance of the title but thought that the beauty of art was capable of soothing all kinds of anger and grieving souls. It is only until the recent war in Ukraine that I came to contemplate this work again. The father of the painter, Smith, survived the Second World War and was a veteran and a painter himself. On his deathbed, he told his son, “Make art, not war. Don’t hate; draw.” His last words, gained from one of his most important lived experiences and now delivered to his offspring, was about making art and letting go of hatred.
“The most important thing is probably about art, family, and every single day that one can still breathe.”
If All Cruelty Becomes Tenderness
French artist Mister Blick transmits a sense of conflict and epiphany by replacing tender and colorful flowers into the place that was originally weapons in black and white photos about wars. The tender and beautiful flowers were placed at the critical spots and thus transformed the image of war’s cruelty into an image of softness and warmth. By combining two mediums, the artist creates his own interpretation between fantasy and reality.
Voicing for the People
Though geographically distanced from Ukraine, our thoughts are with the Ukrainian people. When the oppression is from the dominant world powers, we need to find all possible ways to leverage it. Besides donation, sponsorship and voicing our solidarity, we can also pray for the Ukrainian. Helen Keller once said, "We may have found a cure for most evils; but we have found no remedy for the worst of them all, the apathy of human beings.”
Matthew7:7: Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. May God help Ukraine and its people find the door to peace. The prayer below is for everyone, regardless of your religion, as blessing is without a frontier. Hope we can all spend a little time, instead of on scrolling, close our eyes and to pray for the Ukrainian people: Prayer: Dear Lord, Please stop the war. Please cure the wounded and return the missing to their loved ones. Please ease the hatred between Russia and Ukraine and restore the peaceful days… (feel free to add) In the name of Jesus Christ, Amen.
“Thank you for reading. May the world be in peace.”
烏俄戰爭 藝術反戰: Make Art Not War (original text)
Chia-Chieh Lee
普丁(Vladimir Putin) 殘暴的君王無視歷史並重演了悲劇，因為權力及自私挑起的戰爭，埋下了仇恨的種子。俄國侵略烏克蘭已經長達一個多月，無數無辜的平民與兒童死於槍砲、暴力以及虐待，新聞中悲愴的烏克蘭人在毀壞的家園面前誓死扯斷普丁的喉嚨，而戰爭除了毀壞城市，也加深了烏克蘭人隱忍的憤怒。如果國家元首有一絲在乎人民、在乎生命，就應該放下槍枝，放下權力。
“Make art, not war. Don't hate, draw”
藝術發聲
2016年疫情尚未爆發前，在英國TATE美術館看見了一個作品「Make Art Not War」，當時是尚未經歷到戰爭或是親眼看見戰爭的90後學生，無法理解這段話背後深沉的意涵，只認為藝術的美好可以安慰一切憤怒以及悲傷的靈魂。直到最近俄國侵略烏克蘭後，回想起這幅畫作才發現，畫家史密斯的父親生前經歷過二次世界大戰，是一位二戰老兵以及藝術家，在臨終前與史密斯說「Make art, not war. Don't hate, draw」，好似再用他自身最沉重的經驗，告訴兒女最重要的事情：專心創作、放下仇恨。
“重要的事情可能是創作、親人、或是每個能夠好好呼吸的日子”
如果所有殘忍都變為柔軟
法國藝術家布利克(Mister Blick )的作品傳達了藝術的衝突與頓悟，運用彩色且柔軟的花朵，取代了戰爭黑白照片中的槍械武器。柔軟且美麗的花朵安放在適切的位置上。原本應該是戰爭冷酷的畫面，突然柔和成溫暖的形象，藝術家結合兩種不同的媒材，在幻想與真實之間創造了一個美麗的詮釋。
為人民發聲
身在不同大陸的我們，對於烏克蘭深刻的憐惜之情，小國受到強權的欺壓，必須倚靠自己的力量與之抗衡。在台灣的我們除了金錢援助、企業援助以及在國際發聲支持外，我們還可以用禱告的方式替烏克蘭祈求。海倫凱勒說：「世界大部分不幸也許都有補救之法，但其中最不幸的卻無藥可救，那就是人類的冷漠」。
聖經中提到：你們祈求，就給你們；尋找，就尋見；叩門，就給你們開門。願上帝幫助烏克蘭國家與人民開一道和平的門。不論你今天是甚麼宗教，都可以使用以下的禱告文，因為祝福是無國界的，希望我們都可以撥30秒滑手機的時間，閉上眼睛為受苦的烏克蘭人民禱告：
禱告文： 親愛的耶穌，求你停止戰爭，醫治在戰爭中受傷的人民、軍人，修復因為戰爭失散的家庭，也挪去兩國之間的仇恨，讓烏克蘭以及俄國能恢復平安的日子......(可自由新增內容)，禱告奉耶穌的名，Amen。
“謝謝你看到這裡，願世界和平”
The reproduction of the content used on this platform is authorised by the author.
Russian Invasion of Ukraine: Make Art Not War (translated)
Chia-Chieh Lee
Driven by lust for power and his egoism, Vladimir Putin, a brutal warlord, turned a blind eye to history, reenacted the tragedy, and seeded hatred by launching the war. The Russian invasion of Ukraine has been more than a month, causing countless innocent civilians and children to die from explosion, abuse, and other forms of violence. In the news, the mourning Ukrainian swore to cut Putin’s throat. The war not only ruins the cities but also deepens the anger long borne by the Ukrainian. If the president of Russia has any sympathy for the people and their lives, he ought to put down the guns as well as his power.
The Voice of Art
In 2016, before the outbreak of the pandemic, I saw a work entitled, “Make Art Not War,” at TATE in London. Back then, I was a young student born in the 90s and had not experienced or witnessed a war. I couldn’t fully grasp the significance of the title but thought that the beauty of art was capable of soothing all kinds of anger and grieving souls. It is only until the recent war in Ukraine that I came to contemplate this work again. The father of the painter, Smith, survived the Second World War and was a veteran and a painter himself. On his deathbed, he told his son, “Make art, not war. Don’t hate; draw.” His last words, gained from one of his most important lived experiences and now delivered to his offspring, was about making art and letting go of hatred.
“The most important thing is probably about art, family, and every single day that one can still breathe.”
If All Cruelty Becomes Tenderness
French artist Mister Blick transmits a sense of conflict and epiphany by replacing tender and colorful flowers into the place that was originally weapons in black and white photos about wars. The tender and beautiful flowers were placed at the critical spots and thus transformed the image of war’s cruelty into an image of softness and warmth. By combining two mediums, the artist creates his own interpretation between fantasy and reality.
Voicing for the People
Though geographically distanced from Ukraine, our thoughts are with the Ukrainian people. When the oppression is from the dominant world powers, we need to find all possible ways to leverage it. Besides donation, sponsorship and voicing our solidarity, we can also pray for the Ukrainian. Helen Keller once said, "We may have found a cure for most evils; but we have found no remedy for the worst of them all, the apathy of human beings.”
Matthew7:7: Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. May God help Ukraine and its people find the door to peace. The prayer below is for everyone, regardless of your religion, as blessing is without a frontier. Hope we can all spend a little time, instead of on scrolling, close our eyes and to pray for the Ukrainian people: Prayer: Dear Lord, Please stop the war. Please cure the wounded and return the missing to their loved ones. Please ease the hatred between Russia and Ukraine and restore the peaceful days… (feel free to add) In the name of Jesus Christ, Amen.
“Thank you for reading. May the world be in peace.”
烏俄戰爭 藝術反戰: Make Art Not War (original text)
Chia-Chieh Lee
普丁(Vladimir Putin) 殘暴的君王無視歷史並重演了悲劇，因為權力及自私挑起的戰爭，埋下了仇恨的種子。俄國侵略烏克蘭已經長達一個多月，無數無辜的平民與兒童死於槍砲、暴力以及虐待，新聞中悲愴的烏克蘭人在毀壞的家園面前誓死扯斷普丁的喉嚨，而戰爭除了毀壞城市，也加深了烏克蘭人隱忍的憤怒。如果國家元首有一絲在乎人民、在乎生命，就應該放下槍枝，放下權力。
“Make art, not war. Don't hate, draw”
藝術發聲
2016年疫情尚未爆發前，在英國TATE美術館看見了一個作品「Make Art Not War」，當時是尚未經歷到戰爭或是親眼看見戰爭的90後學生，無法理解這段話背後深沉的意涵，只認為藝術的美好可以安慰一切憤怒以及悲傷的靈魂。直到最近俄國侵略烏克蘭後，回想起這幅畫作才發現，畫家史密斯的父親生前經歷過二次世界大戰，是一位二戰老兵以及藝術家，在臨終前與史密斯說「Make art, not war. Don't hate, draw」，好似再用他自身最沉重的經驗，告訴兒女最重要的事情：專心創作、放下仇恨。
“重要的事情可能是創作、親人、或是每個能夠好好呼吸的日子”
如果所有殘忍都變為柔軟
法國藝術家布利克(Mister Blick )的作品傳達了藝術的衝突與頓悟，運用彩色且柔軟的花朵，取代了戰爭黑白照片中的槍械武器。柔軟且美麗的花朵安放在適切的位置上。原本應該是戰爭冷酷的畫面，突然柔和成溫暖的形象，藝術家結合兩種不同的媒材，在幻想與真實之間創造了一個美麗的詮釋。
為人民發聲
身在不同大陸的我們，對於烏克蘭深刻的憐惜之情，小國受到強權的欺壓，必須倚靠自己的力量與之抗衡。在台灣的我們除了金錢援助、企業援助以及在國際發聲支持外，我們還可以用禱告的方式替烏克蘭祈求。海倫凱勒說：「世界大部分不幸也許都有補救之法，但其中最不幸的卻無藥可救，那就是人類的冷漠」。
聖經中提到：你們祈求，就給你們；尋找，就尋見；叩門，就給你們開門。願上帝幫助烏克蘭國家與人民開一道和平的門。不論你今天是甚麼宗教，都可以使用以下的禱告文，因為祝福是無國界的，希望我們都可以撥30秒滑手機的時間，閉上眼睛為受苦的烏克蘭人民禱告：
禱告文： 親愛的耶穌，求你停止戰爭，醫治在戰爭中受傷的人民、軍人，修復因為戰爭失散的家庭，也挪去兩國之間的仇恨，讓烏克蘭以及俄國能恢復平安的日子......(可自由新增內容)，禱告奉耶穌的名，Amen。
“謝謝你看到這裡，願世界和平”
The reproduction of the content used on this platform is authorised by the author.
The relation between Ukraine and Russia has been very unstable. Since the Crimea crisis through the ongoing war in Ukraine, people are forced to be in exile as their homeland became a battlefield. While the international society offers various humanitarian support, the cultural sector also has its way to confront and condemn the war. As a member of this world, VT Artsalon stands with the Ukrainian people. We are against the war and its violence and call on Russia to stop its aggression. We look forward to the peace being restored.
VT ArtSalon 非常廟藝文空間 (translated)
烏克蘭和俄羅斯始終處於極不穩定的狀態。自克里米亞危機到最近的烏克蘭戰爭，人們流離失所，家園化為一片焦土，各國紛紛提供人道協助，藝文界也以不同方式回應、控訴這場戰爭。作為世界的一份子，VT Artsalon和烏克蘭人站在一起，我們反對戰爭武力，並呼籲俄羅斯停止攻擊，期許和平降臨在這片土地上。
VT ArtSalon 非常廟藝文空間 (original text)
The relation between Ukraine and Russia has been very unstable. Since the Crimea crisis through the ongoing war in Ukraine, people are forced to be in exile as their homeland became a battlefield. While the international society offers various humanitarian support, the cultural sector also has its way to confront and condemn the war. As a member of this world, VT Artsalon stands with the Ukrainian people. We are against the war and its violence and call on Russia to stop its aggression. We look forward to the peace being restored.
VT ArtSalon 非常廟藝文空間 (translated)
烏克蘭和俄羅斯始終處於極不穩定的狀態。自克里米亞危機到最近的烏克蘭戰爭，人們流離失所，家園化為一片焦土，各國紛紛提供人道協助，藝文界也以不同方式回應、控訴這場戰爭。作為世界的一份子，VT Artsalon和烏克蘭人站在一起，我們反對戰爭武力，並呼籲俄羅斯停止攻擊，期許和平降臨在這片土地上。
VT ArtSalon 非常廟藝文空間 (original text)
Коли лежав в бункері під обстрілами, я зрозумів, що не зможу більше жити так, як жив раніше, що так як було до того, вже не буде, і треба буде робити все по іншому. Я думаю, деякі досвіди, стануть більш актуальними, наприклад досвід роботи з закинутими будівлями, некомфортними просторами, тому що багато зараз руйнувань, і процес відбудовування буде тривалим. Багато регіонів опиниться в ситуації, коли не має якихось локацій, а є бажання і є потреба щось зробити. Також разом треба буде напрацьовувати нові ідеї роботи з травмами. Тому що зараз ми вже по факту всі травмовані цією війною.
Я думаю що після війни нас чекає культурний ренесанс, але зараз коли все відбувається, я не можу сказати, що я можу зробити прямо зараз, щоб це було принаймні корисно, і як я можу вплинути на ситуацію зараз, окрім надання гуманітарної допомоги. Я думаю що ці напрямки гуманітарні і волонтерські ще дуже довго будуть актуальними, тому що багато людей залишилося без житла.
Віталій Матухно – засновник «Галерея Нєотдєрьош» Лисичанськ
=====================================================================================
When I was laying down there in the bunker under the bombing, I realized that I wouldn’t be able to live like before, that life after wouldn’t be like it was before, and the many things would need to be done differently. I think some of my knowledges will gain more relevance, such as the experience working with abandoned buildings, uncomfortable spaces. Many buildings are damaged or destroyed in Ukraine now, and the reconstruction will take a long. Cultural actors will face the situation of lack of infrastructure. So, we will need to work where we can. We will also need to work together to develop new ideas for dealing with injuries, because now all of us in fact are traumatized by this war.
I believe that we will have a cultural renaissance after the war, but now when ongoing hostilities happening, I can't say what I can do at least useful right now, and how I can influence the current situation, apart from providing humanitarian aid. I think that these areas of humanitarian and volunteer will be relevant for a very long time, because many people were left homeless.
Vitaliy Matukhno – creator of the “Gareleya Neotodryosh” Lysychansk
Коли лежав в бункері під обстрілами, я зрозумів, що не зможу більше жити так, як жив раніше, що так як було до того, вже не буде, і треба буде робити все по іншому. Я думаю, деякі досвіди, стануть більш актуальними, наприклад досвід роботи з закинутими будівлями, некомфортними просторами, тому що багато зараз руйнувань, і процес відбудовування буде тривалим. Багато регіонів опиниться в ситуації, коли не має якихось локацій, а є бажання і є потреба щось зробити. Також разом треба буде напрацьовувати нові ідеї роботи з травмами. Тому що зараз ми вже по факту всі травмовані цією війною.
Я думаю що після війни нас чекає культурний ренесанс, але зараз коли все відбувається, я не можу сказати, що я можу зробити прямо зараз, щоб це було принаймні корисно, і як я можу вплинути на ситуацію зараз, окрім надання гуманітарної допомоги. Я думаю що ці напрямки гуманітарні і волонтерські ще дуже довго будуть актуальними, тому що багато людей залишилося без житла.
Віталій Матухно – засновник «Галерея Нєотдєрьош» Лисичанськ
=====================================================================================
When I was laying down there in the bunker under the bombing, I realized that I wouldn’t be able to live like before, that life after wouldn’t be like it was before, and the many things would need to be done differently. I think some of my knowledges will gain more relevance, such as the experience working with abandoned buildings, uncomfortable spaces. Many buildings are damaged or destroyed in Ukraine now, and the reconstruction will take a long. Cultural actors will face the situation of lack of infrastructure. So, we will need to work where we can. We will also need to work together to develop new ideas for dealing with injuries, because now all of us in fact are traumatized by this war.
I believe that we will have a cultural renaissance after the war, but now when ongoing hostilities happening, I can't say what I can do at least useful right now, and how I can influence the current situation, apart from providing humanitarian aid. I think that these areas of humanitarian and volunteer will be relevant for a very long time, because many people were left homeless.
Vitaliy Matukhno – creator of the “Gareleya Neotodryosh” Lysychansk
На даний момент важко передбачити, як довго може тривати війна, але з огляду на кількість військових злочинів, збитків та цивільних жертв, виявлених у містах, селищах та селах, постраждалих від війни, очевидно, що процес відновлення мирного життя в Україні буде довгим, складним і болісним. Зараз ми спостерігаємо, як взаємодія між низовими ініціативами громадськими організаціями з різних регіонів України набуває нового значення, оскільки вони спільно створюють гуманітарні центри для підтримки внутрішньо переміщених осіб, організовуючи міжорганізаційні логістичні потоки гуманітарної допомоги в міста, які постраждали від війни.
Після війни важливість співпраці між самоорганізованими низовими ініціативами буде тільки зростати, що вимагатиме як фінансової, так і інтелектуальної підтримки для реінтеграції окупованих територій, повернення біженців з-за кордону та внутрішньо переміщених осіб, а також відновлення можливостей роботи та робочих місць. . Мистецькі ініціативи та культурні центри, багато з яких були зруйновані, мають потенціал стати важливими громадськими просторами для міждисциплінарної взаємодії та відновлення.
Юрій Кручак – художник, куратор, засновник платформи Відкритий простір
=============================
At the moment, it is hard to predict how long the war may last, but given the number of war crimes, damage and civilian victims revealed in the cities, towns and villages affected by the war, it is clear that the process of restoring peaceful life in Ukraine will be long, difficult and painful. We are now observing how interaction between grassroots initiatives, NGOs from different regions in Ukraine is gaining new importance as they collaboratively create humanitarian hubs to support internally displaced persons, arranging the cross-organizational logistical flow of humanitarian aid to cities affected by the war.
After the war the importance of cooperation between self-organized grassroots initiatives will only increase, requiring both financial and intellectual support for the reintegration of occupied territories, the return of refugees from abroad and internally displaced people, and the restoration of job opportunities and working places. Arts initiatives and cultural centers, many of whose facilities were destroyed, have the potential to become important community spaces for cross-disciplinary interaction and rebuilding.
Yuriy Kruchak – artist, curator, initiator of the OpenPlace platform.
На даний момент важко передбачити, як довго може тривати війна, але з огляду на кількість військових злочинів, збитків та цивільних жертв, виявлених у містах, селищах та селах, постраждалих від війни, очевидно, що процес відновлення мирного життя в Україні буде довгим, складним і болісним. Зараз ми спостерігаємо, як взаємодія між низовими ініціативами громадськими організаціями з різних регіонів України набуває нового значення, оскільки вони спільно створюють гуманітарні центри для підтримки внутрішньо переміщених осіб, організовуючи міжорганізаційні логістичні потоки гуманітарної допомоги в міста, які постраждали від війни.
Після війни важливість співпраці між самоорганізованими низовими ініціативами буде тільки зростати, що вимагатиме як фінансової, так і інтелектуальної підтримки для реінтеграції окупованих територій, повернення біженців з-за кордону та внутрішньо переміщених осіб, а також відновлення можливостей роботи та робочих місць. . Мистецькі ініціативи та культурні центри, багато з яких були зруйновані, мають потенціал стати важливими громадськими просторами для міждисциплінарної взаємодії та відновлення.
Юрій Кручак – художник, куратор, засновник платформи Відкритий простір
=============================
At the moment, it is hard to predict how long the war may last, but given the number of war crimes, damage and civilian victims revealed in the cities, towns and villages affected by the war, it is clear that the process of restoring peaceful life in Ukraine will be long, difficult and painful. We are now observing how interaction between grassroots initiatives, NGOs from different regions in Ukraine is gaining new importance as they collaboratively create humanitarian hubs to support internally displaced persons, arranging the cross-organizational logistical flow of humanitarian aid to cities affected by the war.
After the war the importance of cooperation between self-organized grassroots initiatives will only increase, requiring both financial and intellectual support for the reintegration of occupied territories, the return of refugees from abroad and internally displaced people, and the restoration of job opportunities and working places. Arts initiatives and cultural centers, many of whose facilities were destroyed, have the potential to become important community spaces for cross-disciplinary interaction and rebuilding.
Yuriy Kruchak – artist, curator, initiator of the OpenPlace platform.
《乜乜》 viv chan
你們總說
今天乜乜
明天乜乜
我想問他們
後天又會是乜乜乜？
曾願
三者之間
最好
互不相干
你深深地
烙印在世界地圖
我漸漸地
消逝在紙醉金迷
他靜靜地
沉沒在歷史雄流
轟隆聲響下
逝去的
相差無幾
槍口之下
對準的
都一樣
邊境之外
前往的
並無此地
你們、我們、他們
殊途同歸
《乜乜》 viv chan
你們總說
今天乜乜
明天乜乜
我想問他們
後天又會是乜乜乜？
曾願
三者之間
最好
互不相干
你深深地
烙印在世界地圖
我漸漸地
消逝在紙醉金迷
他靜靜地
沉沒在歷史雄流
轟隆聲響下
逝去的
相差無幾
槍口之下
對準的
都一樣
邊境之外
前往的
並無此地
你們、我們、他們
殊途同歸
Dear Nien-Ting,
I read with interest the information about the Ukraine-Taiwan-international art project Unstable Condition. The reference to Camus, and some of the nuances of the Taiwanese situation and attitude, I found particularly worthwhile.
I had been discussing the Ukraine war with a politically experienced associate of mine a few days before your email arrived. After speaking with her I and found myself thinking about Taiwan, and reflecting that Russia’s challenge to the geopolitical status quo may be most significant not because of what is happening in Ukraine (which is, after all, part of the historic Slavic lands), but because it raises the prospect that other more meaningful military action could occur elsewhere – specifically in the south China Sea area. Then your email came through, discussing the connection of the two situations.
I was intrigued last November by your visit to Ukraine, a photo from which I saw on social media. It makes more sense to me now. With hindsight I’m sure you too find that visit a fateful one.
I don’t believe I can make a relevant contribution to Unstable Condition, given my attitude to war and the human condition. I take a hawkish view of war, and am suspicious of partially-applied humanitarianism, which often camouflages a political agenda. As for the human condition it seems to me that looking deep into ourselves is necessary, which means acknowledging the war within the human soul. I don’t see much evidence that people are taking this opportunity to speak from a place of self-knowledge; in fact I see the opposite. This is why the Camus reference grabbed my attention – it is evidence of an attitude that is willing to looking within. Your addressing of the neoliberal turn, and growing social dislocation, in Ukraine prior to the invasion, plus the mention of aspects of Taiwanese spirit and culture as both sarcastic and gloomy, along with hopeful, pleased me. This realism of understanding is necessary, otherwise we are wasting our energies in empty posturing.
Much of my recent writing-design work, MOUNTAINS OF FLAME AT THE EDGE OF A GREY DESERT, addresses conflict in manifold ways, and in many places explicitly examines war. I attach an image from this project (the Cyrillic text refers to the development of military tactics during the early Soviet era). I’m currently showing one of the series in an exhibition in Dublin, in the form of a print, but the work mostly exists digitally. I also have an essay due for publication online soon, and one already published a while back – these are also part of the same project. The intersection of ideology, the existential, and poetics, informs all this work.
I send the image for your consideration, in case you think the body of work I have created in the past few years is relevant to your curatorial vision at some point. As you know from our working together in Glasgow, my work operates at deep levels of the human condition, as well as providing visual drama, and sometimes comic effect, on the surface. Therefore, if you want to consider war and conflict at this deeper level in your future curating, or if you are creating a publication that addresses these themes, you have my work to consider. I have also given many artist talks, lectures, and participated in discussion panels, and would consider doing so again. If you think it is worth discussing with Jaxton in Singapore at any point please feel free to mention it to him.
Also, if things work out for me I will be in Japan later this year. I have been offered a place on an artist residency there. This depends of whether I will get a visa though, which hasn’t been processed yet. I don’t yet know if I will be able to travel to nearby countries, but if I can visit Taiwan I will. I’ll let you know if I make it to Japan. If I can somehow find funding I would of course very much like to give artist talks, or make happen other creative activity, in neighbouring countries such as Taiwan, and South Korea. It will of course also depend on whether travel restrictions are eased. One can always connect with internet of course, but face-to-face contact will perhaps come to the fore again for those of us committed to the highest quality of practice.
I know you will be busy now, and may not have time to reply. If what I write is of interest, but you are too busy with other duties, just keep this on file for if/when the time is right.
I hope that all is going fine with you. I’m pleased to see that you are active, and further exploring and expanding your creative power. I hope that there is good balance with work and life for you at this time.
Faithfully - Eirei
Dear Nien-Ting,
I read with interest the information about the Ukraine-Taiwan-international art project Unstable Condition. The reference to Camus, and some of the nuances of the Taiwanese situation and attitude, I found particularly worthwhile.
I had been discussing the Ukraine war with a politically experienced associate of mine a few days before your email arrived. After speaking with her I and found myself thinking about Taiwan, and reflecting that Russia’s challenge to the geopolitical status quo may be most significant not because of what is happening in Ukraine (which is, after all, part of the historic Slavic lands), but because it raises the prospect that other more meaningful military action could occur elsewhere – specifically in the south China Sea area. Then your email came through, discussing the connection of the two situations.
I was intrigued last November by your visit to Ukraine, a photo from which I saw on social media. It makes more sense to me now. With hindsight I’m sure you too find that visit a fateful one.
I don’t believe I can make a relevant contribution to Unstable Condition, given my attitude to war and the human condition. I take a hawkish view of war, and am suspicious of partially-applied humanitarianism, which often camouflages a political agenda. As for the human condition it seems to me that looking deep into ourselves is necessary, which means acknowledging the war within the human soul. I don’t see much evidence that people are taking this opportunity to speak from a place of self-knowledge; in fact I see the opposite. This is why the Camus reference grabbed my attention – it is evidence of an attitude that is willing to looking within. Your addressing of the neoliberal turn, and growing social dislocation, in Ukraine prior to the invasion, plus the mention of aspects of Taiwanese spirit and culture as both sarcastic and gloomy, along with hopeful, pleased me. This realism of understanding is necessary, otherwise we are wasting our energies in empty posturing.
Much of my recent writing-design work, MOUNTAINS OF FLAME AT THE EDGE OF A GREY DESERT, addresses conflict in manifold ways, and in many places explicitly examines war. I attach an image from this project (the Cyrillic text refers to the development of military tactics during the early Soviet era). I’m currently showing one of the series in an exhibition in Dublin, in the form of a print, but the work mostly exists digitally. I also have an essay due for publication online soon, and one already published a while back – these are also part of the same project. The intersection of ideology, the existential, and poetics, informs all this work.
I send the image for your consideration, in case you think the body of work I have created in the past few years is relevant to your curatorial vision at some point. As you know from our working together in Glasgow, my work operates at deep levels of the human condition, as well as providing visual drama, and sometimes comic effect, on the surface. Therefore, if you want to consider war and conflict at this deeper level in your future curating, or if you are creating a publication that addresses these themes, you have my work to consider. I have also given many artist talks, lectures, and participated in discussion panels, and would consider doing so again. If you think it is worth discussing with Jaxton in Singapore at any point please feel free to mention it to him.
Also, if things work out for me I will be in Japan later this year. I have been offered a place on an artist residency there. This depends of whether I will get a visa though, which hasn’t been processed yet. I don’t yet know if I will be able to travel to nearby countries, but if I can visit Taiwan I will. I’ll let you know if I make it to Japan. If I can somehow find funding I would of course very much like to give artist talks, or make happen other creative activity, in neighbouring countries such as Taiwan, and South Korea. It will of course also depend on whether travel restrictions are eased. One can always connect with internet of course, but face-to-face contact will perhaps come to the fore again for those of us committed to the highest quality of practice.
I know you will be busy now, and may not have time to reply. If what I write is of interest, but you are too busy with other duties, just keep this on file for if/when the time is right.
I hope that all is going fine with you. I’m pleased to see that you are active, and further exploring and expanding your creative power. I hope that there is good balance with work and life for you at this time.
Faithfully - Eirei
An Open Letter To Everyone
An Open Letter To Everyone is a text-based artwork, which promotes the importance of
humanity, humaneness and the peaceful coexistence in society, including the support, the encouragement and helpings others during current crises that are happening around the world, and all of us are facing on the crises together, for example, the pandemic of COVID-19, climate change, wars, political conflicts and economy problems.
Best Regards,
Mr. Supapong Laodheerasiri
A Lecturer at Department of Fine Arts, School of Architecture, Art, and Design,
King Mongkut's Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand
ศุภพงศ์ เหล่าธีรศิริ
อาจารยป์ระจําภาควชิาศิลปกรรมคณะสถาปัตยกรรมศิลปะและการออกแบบ
สถาบันเทคโนโลยพระจอมเกลา้เจ้าคุณทหารลาดกระบัง (สจล.)
An Open Letter To Everyone
An Open Letter To Everyone is a text-based artwork, which promotes the importance of
humanity, humaneness and the peaceful coexistence in society, including the support, the encouragement and helpings others during current crises that are happening around the world, and all of us are facing on the crises together, for example, the pandemic of COVID-19, climate change, wars, political conflicts and economy problems.
Best Regards,
Mr. Supapong Laodheerasiri
A Lecturer at Department of Fine Arts, School of Architecture, Art, and Design,
King Mongkut's Institute of Technology Ladkrabang (KMITL), Bangkok, Thailand
ศุภพงศ์ เหล่าธีรศิริ
อาจารยป์ระจําภาควชิาศิลปกรรมคณะสถาปัตยกรรมศิลปะและการออกแบบ
สถาบันเทคโนโลยพระจอมเกลา้เจ้าคุณทหารลาดกระบัง (สจล.)
"Hello all, I would like to offer my warmest wishes to everyone affected by this terrible war, please hang in there. Things will be getting better and may you surround yourself with hope and positivity! To the artists and creatives affected by the war, stay strong and keep the creative spirit alive! Sending you love from Singapore!"
- Jaxton Su, independent artist/curator from Singapore
"Hello all, I would like to offer my warmest wishes to everyone affected by this terrible war, please hang in there. Things will be getting better and may you surround yourself with hope and positivity! To the artists and creatives affected by the war, stay strong and keep the creative spirit alive! Sending you love from Singapore!"
- Jaxton Su, independent artist/curator from Singapore
'As a Korean artist who lives with the traces of war in a divided country, I know the sorrow of war better than anyone else. My grandmother, who died two years ago, had missed her hometown for the rest of her life, but she was never able to visit it again for 70 years after the armistice.It may not be there anymore, my grandmother's family was in North Korea. The war has been stopped for more than 70 years in the name of peace and in a strange form, but the sadness of not seeing her family had been unstoppable for more than 70 year.
Now would My grandmother have met her family, whom she now longed for in a world without war?
I hope that Ukraine will be filled with peace and happiness again soon.'
All the best,
Darae
'As a Korean artist who lives with the traces of war in a divided country, I know the sorrow of war better than anyone else. My grandmother, who died two years ago, had missed her hometown for the rest of her life, but she was never able to visit it again for 70 years after the armistice.It may not be there anymore, my grandmother's family was in North Korea. The war has been stopped for more than 70 years in the name of peace and in a strange form, but the sadness of not seeing her family had been unstoppable for more than 70 year.
Now would My grandmother have met her family, whom she now longed for in a world without war?
I hope that Ukraine will be filled with peace and happiness again soon.'
All the best,
Darae
Business contact information
Email: info@openplace.com.ua
Postal address for resolving legal disputes: Bilhorodska str.6, apt 67, 03037 Kyiv, Ukraine
Contact phone number: +38 (050) 186-90-952
Target amount being raised: $30,000
A Letter to the Ukrainian People (translated)
Win-Wei Li
It has been almost two months since the Russian invasion of Ukraine on February 24, 2022. In the TV news, the imagery of the ruins on the streets and the motivational speeches as well as the persistent demeanor of the Ukrainian president made me realize that peace is grounded on the struggles of the predecessors. All the effort made and the strength shown by the Ukrainian people is very palpable here in Taiwan, as we also neighbors an authoritarian world power, await to take over us. We appreciate that the Ukrainian people try hard to show the cruelty and the reality of the war to the world, besides its absurdity and injustice. In response, we donate and show our support and solidarity in other humanitarian ways, which highlights the value of democracy and freedom.
Seeing the boy in the trailer naively say that he wants to become an astronaut and explore the space, I almost cried and wondered if the children still have the possibilities to pursue their dreams as the war continues. It reminded me of a remark made by the philosopher Aristotle that the purpose of war is peace. The Russian president has experienced a setback as the planned quick victory turned out to be seesaw battles. Nevertheless, I hope the war to be concluded as soon as possible so that people can return to their land and rebuild homes, peacefully and freely, without any concern of military aggression. May the sun shine, the children laugh, their dreams pursued, and the real peace be realized.
As the speech made by president Biden on the united effort of the free world to support the people of Ukraine goes, “ A dictator bent on rebuilding an empire will never erase a people’s love for liberty. Brutality will never grind down their will to be free. Ukraine will never be a victory for Russia—for free people refuse to live in a world of hopelessness and darkness. We will have a different future—a brighter future rooted in democracy and principle, hope and light, of decency and dignity, of freedom and possibilities.” I believe in hope and in the resilience and the strength of the Ukrainian people. I believe Ukraine will win its victory and open a new page of history.
給烏克蘭人民的一封信(original text)
李欣薇
2022年2月24日俄烏戰爭再起，開打至今已經快兩個月了，每次打開新聞看到戰爭畫面—烏克蘭街頭上的斷壁殘垣景象，再看著新聞畫面上的烏克蘭總統激昂演說堅決不認輸模樣，我體認到原來和平是建立在前人努力抗爭來的，而您們烏克蘭人民的努力與堅強的身影，讓身在台灣的我們，對烏克蘭的處境有息息相惜之感，因我們旁邊都有一個獨裁強國虎視眈眈等著想要併吞，而烏克蘭人民一直很努力地想把這戰爭的殘酷與現實告訴全世界，訴說著這場不公不義的戰爭。而這場戰爭，也讓我們深同感受，紛紛給予金錢援助、人道救助等方式去幫助，也突顯出民主自由的可貴。
預告片中有一段小孩天真無邪的講著想當太空人，可以去外太空遊玩，看到此我就一陣鼻酸，現在戰爭烽火再起，也不知道那些無辜的兒童還能不能有實現夢想的機會？我想起哲學家亞里士多德曾說：「戰爭的目的必須是為了和平。」在這場戰爭裡俄羅斯總統已經踢到鐵板，本以為能快速打下基輔，變成現在拉鋸戰，而我願戰事能快點落幕，和平到來，烏克蘭人民能安心好好地重建家園，能自由的大步走在自己的土地上，而不用擔憂被打被抓，在那美麗的陽光灑下，有孩童的歡笑聲，有夢想飄揚著，實現真正的和平。
如同3月26日晚間拜登在波蘭首都華沙的皇家城堡發表了關於自由世界聯合努力支持烏克蘭人民的演講，最後說道：「一個一心想要重建帝國的獨裁者永遠不會抹殺一個民族對自由的熱愛。殘暴永遠不會磨滅他們對自由的意志。烏克蘭永遠不會成為俄羅斯的勝利，因為自由的人們拒絕生活在一個無望和黑暗的世界裡。我們將有一個不同的未來，一個更光明的未來，植根於民主和原則、希望和光明。在體面和尊嚴以及自由和可能性中。」我相信希望，也相信您們烏克蘭人民的那份堅韌精神，對抗外敵的勇氣，我相信終究會戰勝，開啟新的歷史一頁。
A Letter to the Ukrainian People (translated)
Win-Wei Li
It has been almost two months since the Russian invasion of Ukraine on February 24, 2022. In the TV news, the imagery of the ruins on the streets and the motivational speeches as well as the persistent demeanor of the Ukrainian president made me realize that peace is grounded on the struggles of the predecessors. All the effort made and the strength shown by the Ukrainian people is very palpable here in Taiwan, as we also neighbors an authoritarian world power, await to take over us. We appreciate that the Ukrainian people try hard to show the cruelty and the reality of the war to the world, besides its absurdity and injustice. In response, we donate and show our support and solidarity in other humanitarian ways, which highlights the value of democracy and freedom.
Seeing the boy in the trailer naively say that he wants to become an astronaut and explore the space, I almost cried and wondered if the children still have the possibilities to pursue their dreams as the war continues. It reminded me of a remark made by the philosopher Aristotle that the purpose of war is peace. The Russian president has experienced a setback as the planned quick victory turned out to be seesaw battles. Nevertheless, I hope the war to be concluded as soon as possible so that people can return to their land and rebuild homes, peacefully and freely, without any concern of military aggression. May the sun shine, the children laugh, their dreams pursued, and the real peace be realized.
As the speech made by president Biden on the united effort of the free world to support the people of Ukraine goes, “ A dictator bent on rebuilding an empire will never erase a people’s love for liberty. Brutality will never grind down their will to be free. Ukraine will never be a victory for Russia—for free people refuse to live in a world of hopelessness and darkness. We will have a different future—a brighter future rooted in democracy and principle, hope and light, of decency and dignity, of freedom and possibilities.” I believe in hope and in the resilience and the strength of the Ukrainian people. I believe Ukraine will win its victory and open a new page of history.
給烏克蘭人民的一封信(original text)
李欣薇
2022年2月24日俄烏戰爭再起，開打至今已經快兩個月了，每次打開新聞看到戰爭畫面—烏克蘭街頭上的斷壁殘垣景象，再看著新聞畫面上的烏克蘭總統激昂演說堅決不認輸模樣，我體認到原來和平是建立在前人努力抗爭來的，而您們烏克蘭人民的努力與堅強的身影，讓身在台灣的我們，對烏克蘭的處境有息息相惜之感，因我們旁邊都有一個獨裁強國虎視眈眈等著想要併吞，而烏克蘭人民一直很努力地想把這戰爭的殘酷與現實告訴全世界，訴說著這場不公不義的戰爭。而這場戰爭，也讓我們深同感受，紛紛給予金錢援助、人道救助等方式去幫助，也突顯出民主自由的可貴。
預告片中有一段小孩天真無邪的講著想當太空人，可以去外太空遊玩，看到此我就一陣鼻酸，現在戰爭烽火再起，也不知道那些無辜的兒童還能不能有實現夢想的機會？我想起哲學家亞里士多德曾說：「戰爭的目的必須是為了和平。」在這場戰爭裡俄羅斯總統已經踢到鐵板，本以為能快速打下基輔，變成現在拉鋸戰，而我願戰事能快點落幕，和平到來，烏克蘭人民能安心好好地重建家園，能自由的大步走在自己的土地上，而不用擔憂被打被抓，在那美麗的陽光灑下，有孩童的歡笑聲，有夢想飄揚著，實現真正的和平。
如同3月26日晚間拜登在波蘭首都華沙的皇家城堡發表了關於自由世界聯合努力支持烏克蘭人民的演講，最後說道：「一個一心想要重建帝國的獨裁者永遠不會抹殺一個民族對自由的熱愛。殘暴永遠不會磨滅他們對自由的意志。烏克蘭永遠不會成為俄羅斯的勝利，因為自由的人們拒絕生活在一個無望和黑暗的世界裡。我們將有一個不同的未來，一個更光明的未來，植根於民主和原則、希望和光明。在體面和尊嚴以及自由和可能性中。」我相信希望，也相信您們烏克蘭人民的那份堅韌精神，對抗外敵的勇氣，我相信終究會戰勝，開啟新的歷史一頁。
Even in the darkest moments, art has the power to bring light. It can change hearts and minds and, I hope, provide solace for the Ukrainian people.
-Ambassador Tsai Ming-Yen, Taipei Representative Office in the European Union and Belgium
Even in the darkest moments, art has the power to bring light. It can change hearts and minds and, I hope, provide solace for the Ukrainian people.
-Ambassador Tsai Ming-Yen, Taipei Representative Office in the European Union and Belgium
Notes On War And Love
Imperial colonial optics always presuppose myopia. Expecting to take Ukraine in a matter of days, Russia underestimated the Ukrainian army as much as it underestimated Ukrainian culture, identity, and ability to mobilize and support each other in critical situations. Almost everyone in the country who is not at war has become a volunteer today. One of the key things that Ukraine is able to oppose Russia in this war of aggression is strong and extensive horizontal ties, repeatedly strengthened by a sense of unity in the face of a common threat and common pain.
This rhizomatic pain, which pervades your whole being, manifests the same rhizomatic love. Love stitched in every molecule. This is not an abstract construct of "love of country" – majestic, hierarchical, and dehumanizing, as is customary for the imperialists. This love is horizontal, decentralized, networked, poetic and very specific, and effective. This love keeps heaps of everything and everyone. It can’t be destroyed by any horrors or doubts, because it is not fragile and doesn’t break. It’s not stored in one place. It’s tight and evenly distributed, self-healing, it’s everywhere, in the stem cells, from which we are able to grow anything that will be needed. They can bomb our cities and oil depots. But our main fuel is evenly distributed in millions of reservoirs, and i’s inexhaustible.
Natalia Matsenko (Journalist, Ukraine)
Notes On War And Love
Imperial colonial optics always presuppose myopia. Expecting to take Ukraine in a matter of days, Russia underestimated the Ukrainian army as much as it underestimated Ukrainian culture, identity, and ability to mobilize and support each other in critical situations. Almost everyone in the country who is not at war has become a volunteer today. One of the key things that Ukraine is able to oppose Russia in this war of aggression is strong and extensive horizontal ties, repeatedly strengthened by a sense of unity in the face of a common threat and common pain.
This rhizomatic pain, which pervades your whole being, manifests the same rhizomatic love. Love stitched in every molecule. This is not an abstract construct of "love of country" – majestic, hierarchical, and dehumanizing, as is customary for the imperialists. This love is horizontal, decentralized, networked, poetic and very specific, and effective. This love keeps heaps of everything and everyone. It can’t be destroyed by any horrors or doubts, because it is not fragile and doesn’t break. It’s not stored in one place. It’s tight and evenly distributed, self-healing, it’s everywhere, in the stem cells, from which we are able to grow anything that will be needed. They can bomb our cities and oil depots. But our main fuel is evenly distributed in millions of reservoirs, and i’s inexhaustible.
Natalia Matsenko (Journalist, Ukraine)
Russian Invasion of Ukraine: Make Art Not War (translated)
Chia-Chieh Lee
Driven by lust for power and his egoism, Vladimir Putin, a brutal warlord, turned a blind eye to history, reenacted the tragedy, and seeded hatred by launching the war. The Russian invasion of Ukraine has been more than a month, causing countless innocent civilians and children to die from explosion, abuse, and other forms of violence. In the news, the mourning Ukrainian swore to cut Putin’s throat. The war not only ruins the cities but also deepens the anger long borne by the Ukrainian. If the president of Russia has any sympathy for the people and their lives, he ought to put down the guns as well as his power.
The Voice of Art
In 2016, before the outbreak of the pandemic, I saw a work entitled, “Make Art Not War,” at TATE in London. Back then, I was a young student born in the 90s and had not experienced or witnessed a war. I couldn’t fully grasp the significance of the title but thought that the beauty of art was capable of soothing all kinds of anger and grieving souls. It is only until the recent war in Ukraine that I came to contemplate this work again. The father of the painter, Smith, survived the Second World War and was a veteran and a painter himself. On his deathbed, he told his son, “Make art, not war. Don’t hate; draw.” His last words, gained from one of his most important lived experiences and now delivered to his offspring, was about making art and letting go of hatred.
“The most important thing is probably about art, family, and every single day that one can still breathe.”
If All Cruelty Becomes Tenderness
French artist Mister Blick transmits a sense of conflict and epiphany by replacing tender and colorful flowers into the place that was originally weapons in black and white photos about wars. The tender and beautiful flowers were placed at the critical spots and thus transformed the image of war’s cruelty into an image of softness and warmth. By combining two mediums, the artist creates his own interpretation between fantasy and reality.
Voicing for the People
Though geographically distanced from Ukraine, our thoughts are with the Ukrainian people. When the oppression is from the dominant world powers, we need to find all possible ways to leverage it. Besides donation, sponsorship and voicing our solidarity, we can also pray for the Ukrainian. Helen Keller once said, "We may have found a cure for most evils; but we have found no remedy for the worst of them all, the apathy of human beings.”
Matthew7:7: Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. May God help Ukraine and its people find the door to peace. The prayer below is for everyone, regardless of your religion, as blessing is without a frontier. Hope we can all spend a little time, instead of on scrolling, close our eyes and to pray for the Ukrainian people: Prayer: Dear Lord, Please stop the war. Please cure the wounded and return the missing to their loved ones. Please ease the hatred between Russia and Ukraine and restore the peaceful days… (feel free to add) In the name of Jesus Christ, Amen.
“Thank you for reading. May the world be in peace.”
烏俄戰爭 藝術反戰: Make Art Not War (original text)
Chia-Chieh Lee
普丁(Vladimir Putin) 殘暴的君王無視歷史並重演了悲劇，因為權力及自私挑起的戰爭，埋下了仇恨的種子。俄國侵略烏克蘭已經長達一個多月，無數無辜的平民與兒童死於槍砲、暴力以及虐待，新聞中悲愴的烏克蘭人在毀壞的家園面前誓死扯斷普丁的喉嚨，而戰爭除了毀壞城市，也加深了烏克蘭人隱忍的憤怒。如果國家元首有一絲在乎人民、在乎生命，就應該放下槍枝，放下權力。
“Make art, not war. Don't hate, draw”
藝術發聲
2016年疫情尚未爆發前，在英國TATE美術館看見了一個作品「Make Art Not War」，當時是尚未經歷到戰爭或是親眼看見戰爭的90後學生，無法理解這段話背後深沉的意涵，只認為藝術的美好可以安慰一切憤怒以及悲傷的靈魂。直到最近俄國侵略烏克蘭後，回想起這幅畫作才發現，畫家史密斯的父親生前經歷過二次世界大戰，是一位二戰老兵以及藝術家，在臨終前與史密斯說「Make art, not war. Don't hate, draw」，好似再用他自身最沉重的經驗，告訴兒女最重要的事情：專心創作、放下仇恨。
“重要的事情可能是創作、親人、或是每個能夠好好呼吸的日子”
如果所有殘忍都變為柔軟
法國藝術家布利克(Mister Blick )的作品傳達了藝術的衝突與頓悟，運用彩色且柔軟的花朵，取代了戰爭黑白照片中的槍械武器。柔軟且美麗的花朵安放在適切的位置上。原本應該是戰爭冷酷的畫面，突然柔和成溫暖的形象，藝術家結合兩種不同的媒材，在幻想與真實之間創造了一個美麗的詮釋。
為人民發聲
身在不同大陸的我們，對於烏克蘭深刻的憐惜之情，小國受到強權的欺壓，必須倚靠自己的力量與之抗衡。在台灣的我們除了金錢援助、企業援助以及在國際發聲支持外，我們還可以用禱告的方式替烏克蘭祈求。海倫凱勒說：「世界大部分不幸也許都有補救之法，但其中最不幸的卻無藥可救，那就是人類的冷漠」。
聖經中提到：你們祈求，就給你們；尋找，就尋見；叩門，就給你們開門。願上帝幫助烏克蘭國家與人民開一道和平的門。不論你今天是甚麼宗教，都可以使用以下的禱告文，因為祝福是無國界的，希望我們都可以撥30秒滑手機的時間，閉上眼睛為受苦的烏克蘭人民禱告：
禱告文： 親愛的耶穌，求你停止戰爭，醫治在戰爭中受傷的人民、軍人，修復因為戰爭失散的家庭，也挪去兩國之間的仇恨，讓烏克蘭以及俄國能恢復平安的日子......(可自由新增內容)，禱告奉耶穌的名，Amen。
“謝謝你看到這裡，願世界和平”
The reproduction of the content used on this platform is authorised by the author.
Russian Invasion of Ukraine: Make Art Not War (translated)
Chia-Chieh Lee
Driven by lust for power and his egoism, Vladimir Putin, a brutal warlord, turned a blind eye to history, reenacted the tragedy, and seeded hatred by launching the war. The Russian invasion of Ukraine has been more than a month, causing countless innocent civilians and children to die from explosion, abuse, and other forms of violence. In the news, the mourning Ukrainian swore to cut Putin’s throat. The war not only ruins the cities but also deepens the anger long borne by the Ukrainian. If the president of Russia has any sympathy for the people and their lives, he ought to put down the guns as well as his power.
The Voice of Art
In 2016, before the outbreak of the pandemic, I saw a work entitled, “Make Art Not War,” at TATE in London. Back then, I was a young student born in the 90s and had not experienced or witnessed a war. I couldn’t fully grasp the significance of the title but thought that the beauty of art was capable of soothing all kinds of anger and grieving souls. It is only until the recent war in Ukraine that I came to contemplate this work again. The father of the painter, Smith, survived the Second World War and was a veteran and a painter himself. On his deathbed, he told his son, “Make art, not war. Don’t hate; draw.” His last words, gained from one of his most important lived experiences and now delivered to his offspring, was about making art and letting go of hatred.
“The most important thing is probably about art, family, and every single day that one can still breathe.”
If All Cruelty Becomes Tenderness
French artist Mister Blick transmits a sense of conflict and epiphany by replacing tender and colorful flowers into the place that was originally weapons in black and white photos about wars. The tender and beautiful flowers were placed at the critical spots and thus transformed the image of war’s cruelty into an image of softness and warmth. By combining two mediums, the artist creates his own interpretation between fantasy and reality.
Voicing for the People
Though geographically distanced from Ukraine, our thoughts are with the Ukrainian people. When the oppression is from the dominant world powers, we need to find all possible ways to leverage it. Besides donation, sponsorship and voicing our solidarity, we can also pray for the Ukrainian. Helen Keller once said, "We may have found a cure for most evils; but we have found no remedy for the worst of them all, the apathy of human beings.”
Matthew7:7: Ask, and it will be given you. Seek, and you will find. Knock, and it will be opened for you. May God help Ukraine and its people find the door to peace. The prayer below is for everyone, regardless of your religion, as blessing is without a frontier. Hope we can all spend a little time, instead of on scrolling, close our eyes and to pray for the Ukrainian people: Prayer: Dear Lord, Please stop the war. Please cure the wounded and return the missing to their loved ones. Please ease the hatred between Russia and Ukraine and restore the peaceful days… (feel free to add) In the name of Jesus Christ, Amen.
“Thank you for reading. May the world be in peace.”
烏俄戰爭 藝術反戰: Make Art Not War (original text)
Chia-Chieh Lee
普丁(Vladimir Putin) 殘暴的君王無視歷史並重演了悲劇，因為權力及自私挑起的戰爭，埋下了仇恨的種子。俄國侵略烏克蘭已經長達一個多月，無數無辜的平民與兒童死於槍砲、暴力以及虐待，新聞中悲愴的烏克蘭人在毀壞的家園面前誓死扯斷普丁的喉嚨，而戰爭除了毀壞城市，也加深了烏克蘭人隱忍的憤怒。如果國家元首有一絲在乎人民、在乎生命，就應該放下槍枝，放下權力。
“Make art, not war. Don't hate, draw”
藝術發聲
2016年疫情尚未爆發前，在英國TATE美術館看見了一個作品「Make Art Not War」，當時是尚未經歷到戰爭或是親眼看見戰爭的90後學生，無法理解這段話背後深沉的意涵，只認為藝術的美好可以安慰一切憤怒以及悲傷的靈魂。直到最近俄國侵略烏克蘭後，回想起這幅畫作才發現，畫家史密斯的父親生前經歷過二次世界大戰，是一位二戰老兵以及藝術家，在臨終前與史密斯說「Make art, not war. Don't hate, draw」，好似再用他自身最沉重的經驗，告訴兒女最重要的事情：專心創作、放下仇恨。
“重要的事情可能是創作、親人、或是每個能夠好好呼吸的日子”
如果所有殘忍都變為柔軟
法國藝術家布利克(Mister Blick )的作品傳達了藝術的衝突與頓悟，運用彩色且柔軟的花朵，取代了戰爭黑白照片中的槍械武器。柔軟且美麗的花朵安放在適切的位置上。原本應該是戰爭冷酷的畫面，突然柔和成溫暖的形象，藝術家結合兩種不同的媒材，在幻想與真實之間創造了一個美麗的詮釋。
為人民發聲
身在不同大陸的我們，對於烏克蘭深刻的憐惜之情，小國受到強權的欺壓，必須倚靠自己的力量與之抗衡。在台灣的我們除了金錢援助、企業援助以及在國際發聲支持外，我們還可以用禱告的方式替烏克蘭祈求。海倫凱勒說：「世界大部分不幸也許都有補救之法，但其中最不幸的卻無藥可救，那就是人類的冷漠」。
聖經中提到：你們祈求，就給你們；尋找，就尋見；叩門，就給你們開門。願上帝幫助烏克蘭國家與人民開一道和平的門。不論你今天是甚麼宗教，都可以使用以下的禱告文，因為祝福是無國界的，希望我們都可以撥30秒滑手機的時間，閉上眼睛為受苦的烏克蘭人民禱告：
禱告文： 親愛的耶穌，求你停止戰爭，醫治在戰爭中受傷的人民、軍人，修復因為戰爭失散的家庭，也挪去兩國之間的仇恨，讓烏克蘭以及俄國能恢復平安的日子......(可自由新增內容)，禱告奉耶穌的名，Amen。
“謝謝你看到這裡，願世界和平”
The reproduction of the content used on this platform is authorised by the author.
The relation between Ukraine and Russia has been very unstable. Since the Crimea crisis through the ongoing war in Ukraine, people are forced to be in exile as their homeland became a battlefield. While the international society offers various humanitarian support, the cultural sector also has its way to confront and condemn the war. As a member of this world, VT Artsalon stands with the Ukrainian people. We are against the war and its violence and call on Russia to stop its aggression. We look forward to the peace being restored.
VT ArtSalon 非常廟藝文空間 (translated)
烏克蘭和俄羅斯始終處於極不穩定的狀態。自克里米亞危機到最近的烏克蘭戰爭，人們流離失所，家園化為一片焦土，各國紛紛提供人道協助，藝文界也以不同方式回應、控訴這場戰爭。作為世界的一份子，VT Artsalon和烏克蘭人站在一起，我們反對戰爭武力，並呼籲俄羅斯停止攻擊，期許和平降臨在這片土地上。
VT ArtSalon 非常廟藝文空間 (original text)
The relation between Ukraine and Russia has been very unstable. Since the Crimea crisis through the ongoing war in Ukraine, people are forced to be in exile as their homeland became a battlefield. While the international society offers various humanitarian support, the cultural sector also has its way to confront and condemn the war. As a member of this world, VT Artsalon stands with the Ukrainian people. We are against the war and its violence and call on Russia to stop its aggression. We look forward to the peace being restored.
VT ArtSalon 非常廟藝文空間 (translated)
烏克蘭和俄羅斯始終處於極不穩定的狀態。自克里米亞危機到最近的烏克蘭戰爭，人們流離失所，家園化為一片焦土，各國紛紛提供人道協助，藝文界也以不同方式回應、控訴這場戰爭。作為世界的一份子，VT Artsalon和烏克蘭人站在一起，我們反對戰爭武力，並呼籲俄羅斯停止攻擊，期許和平降臨在這片土地上。
VT ArtSalon 非常廟藝文空間 (original text)
Коли лежав в бункері під обстрілами, я зрозумів, що не зможу більше жити так, як жив раніше, що так як було до того, вже не буде, і треба буде робити все по іншому. Я думаю, деякі досвіди, стануть більш актуальними, наприклад досвід роботи з закинутими будівлями, некомфортними просторами, тому що багато зараз руйнувань, і процес відбудовування буде тривалим. Багато регіонів опиниться в ситуації, коли не має якихось локацій, а є бажання і є потреба щось зробити. Також разом треба буде напрацьовувати нові ідеї роботи з травмами. Тому що зараз ми вже по факту всі травмовані цією війною.
Я думаю що після війни нас чекає культурний ренесанс, але зараз коли все відбувається, я не можу сказати, що я можу зробити прямо зараз, щоб це було принаймні корисно, і як я можу вплинути на ситуацію зараз, окрім надання гуманітарної допомоги. Я думаю що ці напрямки гуманітарні і волонтерські ще дуже довго будуть актуальними, тому що багато людей залишилося без житла.
Віталій Матухно – засновник «Галерея Нєотдєрьош» Лисичанськ
=====================================================================================
When I was laying down there in the bunker under the bombing, I realized that I wouldn’t be able to live like before, that life after wouldn’t be like it was before, and the many things would need to be done differently. I think some of my knowledges will gain more relevance, such as the experience working with abandoned buildings, uncomfortable spaces. Many buildings are damaged or destroyed in Ukraine now, and the reconstruction will take a long. Cultural actors will face the situation of lack of infrastructure. So, we will need to work where we can. We will also need to work together to develop new ideas for dealing with injuries, because now all of us in fact are traumatized by this war.
I believe that we will have a cultural renaissance after the war, but now when ongoing hostilities happening, I can't say what I can do at least useful right now, and how I can influence the current situation, apart from providing humanitarian aid. I think that these areas of humanitarian and volunteer will be relevant for a very long time, because many people were left homeless.
Vitaliy Matukhno – creator of the “Gareleya Neotodryosh” Lysychansk
Коли лежав в бункері під обстрілами, я зрозумів, що не зможу більше жити так, як жив раніше, що так як було до того, вже не буде, і треба буде робити все по іншому. Я думаю, деякі досвіди, стануть більш актуальними, наприклад досвід роботи з закинутими будівлями, некомфортними просторами, тому що багато зараз руйнувань, і процес відбудовування буде тривалим. Багато регіонів опиниться в ситуації, коли не має якихось локацій, а є бажання і є потреба щось зробити. Також разом треба буде напрацьовувати нові ідеї роботи з травмами. Тому що зараз ми вже по факту всі травмовані цією війною.
Я думаю що після війни нас чекає культурний ренесанс, але зараз коли все відбувається, я не можу сказати, що я можу зробити прямо зараз, щоб це було принаймні корисно, і як я можу вплинути на ситуацію зараз, окрім надання гуманітарної допомоги. Я думаю що ці напрямки гуманітарні і волонтерські ще дуже довго будуть актуальними, тому що багато людей залишилося без житла.
Віталій Матухно – засновник «Галерея Нєотдєрьош» Лисичанськ
=====================================================================================
When I was laying down there in the bunker under the bombing, I realized that I wouldn’t be able to live like before, that life after wouldn’t be like it was before, and the many things would need to be done differently. I think some of my knowledges will gain more relevance, such as the experience working with abandoned buildings, uncomfortable spaces. Many buildings are damaged or destroyed in Ukraine now, and the reconstruction will take a long. Cultural actors will face the situation of lack of infrastructure. So, we will need to work where we can. We will also need to work together to develop new ideas for dealing with injuries, because now all of us in fact are traumatized by this war.
I believe that we will have a cultural renaissance after the war, but now when ongoing hostilities happening, I can't say what I can do at least useful right now, and how I can influence the current situation, apart from providing humanitarian aid. I think that these areas of humanitarian and volunteer will be relevant for a very long time, because many people were left homeless.
Vitaliy Matukhno – creator of the “Gareleya Neotodryosh” Lysychansk
На даний момент важко передбачити, як довго може тривати війна, але з огляду на кількість військових злочинів, збитків та цивільних жертв, виявлених у містах, селищах та селах, постраждалих від війни, очевидно, що процес відновлення мирного життя в Україні буде довгим, складним і болісним. Зараз ми спостерігаємо, як взаємодія між низовими ініціативами громадськими організаціями з різних регіонів України набуває нового значення, оскільки вони спільно створюють гуманітарні центри для підтримки внутрішньо переміщених осіб, організовуючи міжорганізаційні логістичні потоки гуманітарної допомоги в міста, які постраждали від війни.
Після війни важливість співпраці між самоорганізованими низовими ініціативами буде тільки зростати, що вимагатиме як фінансової, так і інтелектуальної підтримки для реінтеграції окупованих територій, повернення біженців з-за кордону та внутрішньо переміщених осіб, а також відновлення можливостей роботи та робочих місць. . Мистецькі ініціативи та культурні центри, багато з яких були зруйновані, мають потенціал стати важливими громадськими просторами для міждисциплінарної взаємодії та відновлення.
Юрій Кручак – художник, куратор, засновник платформи Відкритий простір
=============================
At the moment, it is hard to predict how long the war may last, but given the number of war crimes, damage and civilian victims revealed in the cities, towns and villages affected by the war, it is clear that the process of restoring peaceful life in Ukraine will be long, difficult and painful. We are now observing how interaction between grassroots initiatives, NGOs from different regions in Ukraine is gaining new importance as they collaboratively create humanitarian hubs to support internally displaced persons, arranging the cross-organizational logistical flow of humanitarian aid to cities affected by the war.
After the war the importance of cooperation between self-organized grassroots initiatives will only increase, requiring both financial and intellectual support for the reintegration of occupied territories, the return of refugees from abroad and internally displaced people, and the restoration of job opportunities and working places. Arts initiatives and cultural centers, many of whose facilities were destroyed, have the potential to become important community spaces for cross-disciplinary interaction and rebuilding.
Yuriy Kruchak – artist, curator, initiator of the OpenPlace platform.
На даний момент важко передбачити, як довго може тривати війна, але з огляду на кількість військових злочинів, збитків та цивільних жертв, виявлених у містах, селищах та селах, постраждалих від війни, очевидно, що процес відновлення мирного життя в Україні буде довгим, складним і болісним. Зараз ми спостерігаємо, як взаємодія між низовими ініціативами громадськими організаціями з різних регіонів України набуває нового значення, оскільки вони спільно створюють гуманітарні центри для підтримки внутрішньо переміщених осіб, організовуючи міжорганізаційні логістичні потоки гуманітарної допомоги в міста, які постраждали від війни.
Після війни важливість співпраці між самоорганізованими низовими ініціативами буде тільки зростати, що вимагатиме як фінансової, так і інтелектуальної підтримки для реінтеграції окупованих територій, повернення біженців з-за кордону та внутрішньо переміщених осіб, а також відновлення можливостей роботи та робочих місць. . Мистецькі ініціативи та культурні центри, багато з яких були зруйновані, мають потенціал стати важливими громадськими просторами для міждисциплінарної взаємодії та відновлення.
Юрій Кручак – художник, куратор, засновник платформи Відкритий простір
=============================
At the moment, it is hard to predict how long the war may last, but given the number of war crimes, damage and civilian victims revealed in the cities, towns and villages affected by the war, it is clear that the process of restoring peaceful life in Ukraine will be long, difficult and painful. We are now observing how interaction between grassroots initiatives, NGOs from different regions in Ukraine is gaining new importance as they collaboratively create humanitarian hubs to support internally displaced persons, arranging the cross-organizational logistical flow of humanitarian aid to cities affected by the war.
After the war the importance of cooperation between self-organized grassroots initiatives will only increase, requiring both financial and intellectual support for the reintegration of occupied territories, the return of refugees from abroad and internally displaced people, and the restoration of job opportunities and working places. Arts initiatives and cultural centers, many of whose facilities were destroyed, have the potential to become important community spaces for cross-disciplinary interaction and rebuilding.
Yuriy Kruchak – artist, curator, initiator of the OpenPlace platform.
《乜乜》 viv chan
你們總說
今天乜乜
明天乜乜
我想問他們
後天又會是乜乜乜？
曾願
三者之間
最好
互不相干
你深深地
烙印在世界地圖
我漸漸地
消逝在紙醉金迷
他靜靜地
沉沒在歷史雄流
轟隆聲響下
逝去的
相差無幾
槍口之下
對準的
都一樣
邊境之外
前往的
並無此地
你們、我們、他們
殊途同歸
《乜乜》 viv chan
你們總說
今天乜乜
明天乜乜
我想問他們
後天又會是乜乜乜？
曾願
三者之間
最好
互不相干
你深深地
烙印在世界地圖
我漸漸地
消逝在紙醉金迷
他靜靜地
沉沒在歷史雄流
轟隆聲響下
逝去的
相差無幾
槍口之下
對準的
都一樣
邊境之外
前往的
並無此地
你們、我們、他們
殊途同歸
Dear Nien-Ting,
I read with interest the information about the Ukraine-Taiwan-international art project Unstable Condition. The reference to Camus, and some of the nuances of the Taiwanese situation and attitude, I found particularly worthwhile.
I had been discussing the Ukraine war with a politically experienced associate of mine a few days before your email arrived. After speaking with her I and found myself thinking about Taiwan, and reflecting that Russia’s challenge to the geopolitical status quo may be most significant not because of what is happening in Ukraine (which is, after all, part of the historic Slavic lands), but because it raises the prospect that other more meaningful military action could occur elsewhere – specifically in the south China Sea area. Then your email came through, discussing the connection of the two situations.
I was intrigued last November by your visit to Ukraine, a photo from which I saw on social media. It makes more sense to me now. With hindsight I’m sure you too find that visit a fateful one.
I don’t believe I can make a relevant contribution to Unstable Condition, given my attitude to war and the human condition. I take a hawkish view of war, and am suspicious of partially-applied humanitarianism, which often camouflages a political agenda. As for the human condition it seems to me that looking deep into ourselves is necessary, which means acknowledging the war within the human soul. I don’t see much evidence that people are taking this opportunity to speak from a place of self-knowledge; in fact I see the opposite. This is why the Camus reference grabbed my attention – it is evidence of an attitude that is willing to looking within. Your addressing of the neoliberal turn, and growing social dislocation, in Ukraine prior to the invasion, plus the mention of aspects of Taiwanese spirit and culture as both sarcastic and gloomy, along with hopeful, pleased me. This realism of understanding is necessary, otherwise we are wasting our energies in empty posturing.
Much of my recent writing-design work, MOUNTAINS OF FLAME AT THE EDGE OF A GREY DESERT, addresses conflict in manifold ways, and in many places explicitly examines war. I attach an image from this project (the Cyrillic text refers to the development of military tactics during the early Soviet era). I’m currently showing one of the series in an exhibition in Dublin, in the form of a print, but the work mostly exists digitally. I also have an essay due for publication online soon, and one already published a while back – these are also part of the same project. The intersection of ideology, the existential, and poetics, informs all this work.
I send the image for your consideration, in case you think the body of work I have created in the past few years is relevant to your curatorial vision at some point. As you know from our working together in Glasgow, my work operates at deep levels of the human condition, as well as providing visual drama, and sometimes comic effect, on the surface. Therefore, if you want to consider war and conflict at this deeper level in your future curating, or if you are creating a publication that addresses these themes, you have my work to consider. I have also given many artist talks, lectures, and participated in discussion panels, and would consider doing so again. If you think it is worth discussing with Jaxton in Singapore at any point please feel free to mention it to him.
Also, if things work out for me I will be in Japan later this year. I have been offered a place on an artist residency there. This depends of whether I will get a visa though, which hasn’t been processed yet. I don’t yet know if I will be able to travel to nearby countries, but if I can visit Taiwan I will. I’ll let you know if I make it to Japan. If I can somehow find funding I would of course very much like to give artist talks, or make happen other creative activity, in neighbouring countries such as Taiwan, and South Korea. It will of course also depend on whether travel restrictions are eased. One can always connect with internet of course, but face-to-face contact will perhaps come to the fore again for those of us committed to the highest quality of practice.
I know you will be busy now, and may not have time to reply. If what I write is of interest, but you are too busy with other duties, just keep this on file for if/when the time is right.
I hope that all is going fine with you. I’m pleased to see that you are active, and further exploring and expanding your creative power. I hope that there is good balance with work and life for you at this time.
Faithfully - Eirei
Dear Nien-Ting,
I read with interest the information about the Ukraine-Taiwan-international art project Unstable Condition. The reference to Camus, and some of the nuances of the Taiwanese situation and attitude, I found particularly worthwhile.
I had been discussing the Ukraine war with a politically experienced associate of mine a few days before your email arrived. After speaking with her I and found myself thinking about Taiwan, and reflecting that Russia’s challenge to the geopolitical status quo may be most significant not because of what is happening in Ukraine (which is, after all, part of the historic Slavic lands), but because it raises the prospect that other more meaningful military action could occur elsewhere – specifically in the south China Sea area. Then your email came through, discussing the connection of the two situations.
I was intrigued last November by your visit to Ukraine, a photo from which I saw on social media. It makes more sense to me now. With hindsight I’m sure you too find that visit a fateful one.
I don’t believe I can make a relevant contribution to Unstable Condition, given my attitude to war and the human condition. I take a hawkish view of war, and am suspicious of partially-applied humanitarianism, which often camouflages a political agenda. As for the human condition it seems to me that looking deep into ourselves is necessary, which means acknowledging the war within the human soul. I don’t see much evidence that people are taking this opportunity to speak from a place of self-knowledge; in fact I see the opposite. This is why the Camus reference grabbed my attention – it is evidence of an attitude that is willing to looking within. Your addressing of the neoliberal turn, and growing social dislocation, in Ukraine prior to the invasion, plus the mention of aspects of Taiwanese spirit and culture as both sarcastic and gloomy, along with hopeful, pleased me. This realism of understanding is necessary, otherwise we are wasting our energies in empty posturing.
Much of my recent writing-design work, MOUNTAINS OF FLAME AT THE EDGE OF A GREY DESERT, addresses conflict in manifold ways, and in many places explicitly examines war. I attach an image from this project (the Cyrillic text refers to the development of military tactics during the early Soviet era). I’m currently showing one of the series in an exhibition in Dublin, in the form of a print, but the work mostly exists digitally. I also have an essay due for publication online soon, and one already published a while back – these are also part of the same project. The intersection of ideology, the existential, and poetics, informs all this work.
I send the image for your consideration, in case you think the body of work I have created in the past few years is relevant to your curatorial vision at some point. As you know from our working together in Glasgow, my work operates at deep levels of the human condition, as well as providing visual drama, and sometimes comic effect, on the surface. Therefore, if you want to consider war and conflict at this deeper level in your future curating, or if you are creating a publication that addresses these themes, you have my work to consider. I have also given many artist talks, lectures, and participated in discussion panels, and would consider doing so again. If you think it is worth discussing with Jaxton in Singapore at any point please feel free to mention it to him.
Also, if things work out for me I will be in Japan later this year. I have been offered a place on an artist residency there. This depends of whether I will get a visa though, which hasn’t been processed yet. I don’t yet know if I will be able to travel to nearby countries, but if I can visit Taiwan I will. I’ll let you know if I make it to Japan. If I can somehow find funding I would of course very much like to give artist talks, or make happen other creative activity, in neighbouring countries such as Taiwan, and South Korea. It will of course also depend on whether travel restrictions are eased. One can always connect with internet of course, but face-to-face contact will perhaps come to the fore again for those of us committed to the highest quality of practice.
I know you will be busy now, and may not have time to reply. If what I write is of interest, but you are too busy with other duties, just keep this on file for if/when the time is right.
I hope that all is going fine with you. I’m pleased to see that you are active, and further exploring and expanding your creative power. I hope that there is good balance with work and life for you at this time.
Faithfully - Eirei
Perspective/ Non Perspective
Possible Impossibility Series
The Cavalry of Love 01：The Master of Pistol
You Were Come to Me From the Sky Over the Sea
(Цей захід закінчився, дякуємо за участь)
Ні їжі, ні води, ні електрики… люди за одну ніч стали бездомними; Жінки та діти, вимушені тікати з батьківщини… Ніхто у світі не повинен був цього зазнати», – сказала одна з українських жінок. (укр., анонімно, 7 березня 2022 р.)
Дорогі друзі,
Ми Open Place, міждисциплінарна платформа з України, і Нієн-Тінг Чен, незалежна кураторка з Тайваню, запрошуємо вас приєднатися до мистецької акції солідарності з народом України. Наш проєкт «Нестабільний стан: Вітання від незнайомця» стосується нестабільної соціально-політичної ситуації в Україні та на Тайвані, і має на меті відкрити дискусії та сприяти різноманітним каналам самовираження. Проект має форму інтерактивної мистецької онлайн-платформи, запуск якої запланований на кінець квітня. Ми запрошуємо мтсткинь, митців, практикинь і практиків мистецтва, мистецькі інституції, музеї чи будь-яких інших акторів цієї галузі, поділитися своєю точкою зору (текстом чи відео) щодо питань антивоєнної та гуманітарної допомоги в контексті поточної війни в Україні та підтримати український народ через мистецтво.
Проєкт Нестабільний стан: «Вітання від незнайомця» було розпочато на початку 2021 року і планувалося відкриття виставки і супутньої публічної програми у Центрі Сучасної Культури у Дніпрі, а, також, у Національному художньому музеї України у квітні 2022 року. З початком повномасштабної війни Росії проти України, фізичну виставку довелося відкласти, а натомість замінили її віртуальною. У виставці беруть участь 11 груп митців з України та Тайваню, які представляють політичні настрої та соціальні спостереження людей з обох країн, а також досліджують зміни у світовому порядку у період після холодної війни. Митці продовжують свідчити про те, як Україна в розпал війни, повертаючись до атмосфери холодної війни з апокаліптичними пророцтвами для людської цивілізації. Тема цього арт-проекту – «Нестабільний стан», має на увазі, що такі турбулентні ситуації це ознака нашого часу. Наші минулі бачення майбутнього більше не працюють. Сподіваємося, що цей арт-проект дозволить глядачам відчути напругу нинішньої міжнародної ситуації через віртуальну реальність, і побачити ситуацію в світі, через конкретну ситуацію в Україні.
Ми співпрацюємо з Xctuality, командою професіоналів із Сінгапуру, щоб створити цю віртуальну платформу для нашого арт-проєкту. Глядачі з усього світу можуть отримати доступ до цієї мультимедійної платформи мистецтва за одним посиланням. На цьому сайті є п’ять функцій. Окрім демонстрації робіт українських та тайванських митців, розділи «Проблеми та теми», а також «Обмін Думками» відкриті для висловлювання мистецьких інституцій, музеїв, практиків мистецтва та інших акторів з цієї сфери з усього світу у відповідь на те, що відбувається в Україні. Ми також хочемо звернути увагу на труднощі, з якими стикається українська мистецька та культурна індустрія. Крім того, ця платформа заохочує внесок глядачів до дошки коментарів як спосіб підтримати український народ, який несправедливо страждає. І останнє, але не менш важливе, на сайті є можливість для пожертв. Кожен може зробити пожертвування безпосередньо в Україну через цю платформу без посередництва кураторської команди чи будь-якої третьої сторони.
Ми твердо віримо, що мистецтво відіграє важливу роль у суспільстві, оскільки воно надихає та заохочує обміни. Ми, як Open Place та Nien-Ting Chen, щиро запрошуємо вас приєднатися до нас через ТЕКСТ або ВІДЕО, поділитися своїми думками у відповідь на тему нашого мистецького проекту та того, що відбувається в світі, або просто висловити підтримку людям хто працює в художньо-культурній сфері в Україні. Отримавши ваш внесок, ми поділимося ними на нашій віртуальній платформі і дозволимо світу побачити, як через практику мистецтва можна надіслати підтримку та повагу стійким людям в Україні.
Exhibition Trailer
Підтримаємо Україну через солідарність у мистецтві.
Будь ласка, Надішліть текст або відео на адресу:
ЯК ВЗЯТИ УЧАСТЬ:
Варіант A) Написати короткий текст:
будь ласка, напишіть короткий текст макс. 150 слів англійською або українською мовою, і надішліть на вказану вище електронну адресу. Він може бути в будь-якій формі (вірші, коротке есе, лист тощо) на такі теми:
1. Підтримка Україні, антивоєнна позиція з точки зору професіонала в галузі мистецтва та культури.
2. Як мистецтво може взаємодіяти з спільнотами, щоб виконувати функцію застереження від війни?
3. Привернення уваги до загроз, з якими стикається українська мистецька і культурна індустрія, а також митці, які вимушені покидати свої домівки
Варіант B) Записати коротке відео:
максимальна тривалість відео. 6 хвилин, у форматі MOV або MP4. Будь ласка, надішліть його через Google Диск, Drop Box на вказану вище електронну адресу. Відео може бути записане в будь-якій формі (виступ, творче відео тощо) на такі теми:
1. Підтримка України, думка з точки зору професіонала з сфері мистецтва та культури.
2. Мистецькі реакції антивоєнні заяви та заклики до припинення вогню з гуманітарних причин.
3. Привернення уваги до загроз, з якими стикається українська мистецька і культурна індустрія, а також митці, які вимушені покидати свої домівки.
ХТО МИ?
Ми, Open Place і Nien-Ting Chen, зустрілися на виставці в 2019 році. Ми вирішили співпрацювати, оскільки наші цінності та бачення збігаються. Через регулярні віртуальні зустрічі та особисті візити в Україну ми стали свідками того, як сторони переживають пандемію, загрозу, яка передвіщає війну в Україні, і навіть те, як війна триває. Тепер ми хочемо розповісти на цій віртуальній платформі історію про непередбачуване майбутнє. Але ми віримо, що завдяки мистецтву ми можемо продовжувати прагнути до спілкування та обміну.
Open Place – це ініціатива митців, що спрямована на розвиток творчого дослідження та активізацію зв’язків між художнім процесом і різними прошарками сучасного суспільства. Open Place — це неприбуткова міждисциплінарна платформа, заснована у 1998 році. Основною метою групи є сприяння дискусіям, обміну думками, ідеями і досвідом між митцями, кураторами, різними групами суспільства – як з різних областей України так і з інших країн. Діяльність групи спрямована на зустрічі і спільні дії щоб пропонувати можливі перспективи розвитку мистецтва, політики і соціо-культурного переходу. Ми віримо, що мистецтво і культура відіграють важливу роль у забезпеченні можливостей для різних точок зору і розвитку громадянського суспільства, розв’язанні конфліктів та боротьбі з дискримінацією та нетерпимістю в суспільстві. З моменту свого заснування в 1998 році Open Place реалізовувала проекти в Україні, США, Швеції, Польщі, Тайвані та інших країнах. Ми сподіваємося розширити вплив мистецтва, щоб більше людей з різних соціальних груп могли брати участь у творчому процесі. Ми співпрацюємо з учасниками з різних груп через колективні практики, діалог та проекти мистецьких резиденцій. І ми продовжуємо розширювати мережу низових ініціатив дотичних до мистецтва в Україні та за кордоном.
Ньєн-Тін Чен — незалежна кураторка і візуальна художниця, яка закінчила Школу мистецтв у Глазго, Великобританія, отримавши ступінь Магістра, і на даний час працює над науковою роботою у Ліверпульській школі мистецтва та дизайну Ліверпульського університету Джона Мура (LJMU), Великобританія. Її мистецька практика та виставки в основному базуються в містах Азії та Європи, а її проекти зосереджені на обміні мистецькими ресурсами з молодими художниками по всьому світу, а також на реалізації різноманітних кураторських проектів для побудови мереж. Наразі її кураторський досвід охоплює різні країни, щоб практикувати вплив сучасного мистецтва на суспільство через транснаціональний обмін сучасним мистецтвом. Її проекти серед інших включають: 2021 Down the Melting Pot на фестивалі в Джорджтауні (Малайзія), 2021 Tai Thai Boba Milktea Wave Wave в Центрі цифрового мистецтва, Тайбей (Тайвань), 2021 Cyber Labyrinth на Liverpool LightNight (Великобританія), 2018-19 The Unsettled Dust на фестивалі короткометражних фільмів в Азії, організований разом із сінгапурським куратором Джекстоном Су (Таїланд).
Щиро Ваші,
Open Place, міждисциплінарна платформа з України
Ніен-Тін Чен, незалежна кураторка з Тайваню
(This event has ended, thank you for your participation)
No food, no water, no electricity…people became homeless overnight; women and children fleeing from their homeland…None of us in the world should have experienced these, said the Ukrainian. (Ukrainian, anonymous, 7th March 2022)
Dear friends,
This is Open Place, an interdisciplinary platform from Ukraine, and Nien-Ting Chen, an independent curator from Taiwan. We are writing to invite you to join us for an art action in solidarity with the people of Ukraine. Our project Unstable Condition: Greeting from a Stranger addresses the unstable socio-political situations in Ukraine and in Taiwan respectively and aims to open discussions and facilitate multiple channels for expression. The project takes the form of an online interactive art platform, scheduled to be launched at the end of April. We sincerely invite you, as an artist, art practitioner, art institute, museum, or any other agent around the globe, to share your perspective (text or video) regarding the issues of anti-war and humanitarian care in the context of the current war in Ukraine and support the Ukrainian people through art.
.
Unstable Condition: Greeting from a Stranger was initiated at the beginning of 2021 and was originally planned to have the exhibition opening with the following lecture program at Artsvit Gallery in Dnipro as well as at the National Art Museum of Ukraine in April 2022. As the war broke out, the physical exhibition had to be postponed and instead, it has been replaced by a virtual exhibition. The exhibition features 11 groups of representative artists from Ukraine and Taiwan, presenting the political attitudes and social observations of people from both countries through visuals, and re-examining the changes in the world order of the two geopolitical bodies in the post-cold war period. The artists continue to bear witness as Ukraine in the midst of the war while revisiting the atmosphere of the Cold War with apocalyptic prophecies of human civilization. The theme of this art project is “Unstable Condition,” implying that such turbulent situations are not only happening to Ukrainians, but to all. Our past visions of the future are being reconstructed. We hope that this art project will allow the audience to feel the tension of the current international situation through virtual reality, and allow us to see the world we are in now through the suffering experience of Ukraine.
Xctuality, our project partner, is a professional multimedia tech team from Singapore that supports us with this virtual platform. Viewers around the globe can have access to this virtual art platform via one link. There are four functions on this site. In addition to showcasing the artworks by the Ukrainian and Taiwanese artists, “Hand in Hand” is one section open to art institutes, museums, art practitioners, and other agents in this field around the globe in response to what is happening in Ukraine. We also wish to bring attention to the difficulty faced by the Ukrainian art and cultural industry. Furthermore, this platform encourages viewers' contributions to the comment board as a way to support the fleeing Ukrainian people. Last but not least, a section is dedicated to the donation portal. Everyone can donate directly to Ukraine through this platform without the mediation of the curatorial team or any third party.
We strongly believe that art plays a significant role in society, as it inspires and encourages exchanges in a non-intrusive way. We, as Open Place and Nien-Ting Chen, cordially invite you to join us via TEXT or VIDEO RECORDING, sharing your opinions in response to the theme of our art project and what’s happening in this world, or simply to show support to the people working in the art and cultural field in Ukraine. After receiving your contribution, we will share them on our virtual platform and let the world see how support and regard can be sent through the practice of art, to the war-torn yet resilient people in Ukraine.
Exhibition Trailer
Let us support Ukraine through solidarity in the act of art.
Please send your text or video to:
HOW TO PARTICIPATE:
Option A) Writing a short text: Please write a short text max. 150 words, in English or Ukrainian, and send it to the email listed above. It can be in any form (poems, a short essay, letter etc.) revolving around the following themes:
1. Show your support for Ukraine and anti-war statements with your professional artistic views or through your perspective as a professional from the arts and culture industry.
2. How can art play a role in social engagement to carry out its function to warn against war?
3. Calling for attention to the threat faced by the Ukrainian art and cultural industry as well as the fleeing artists.
Option B) Recording a short video: The length of the video is max. 6 minutes, in MOV or MP4 file format. Please submit it via Google Drive, Drop Box to the email listed above. The video could be recorded in any forms (a speech, creative video, etc.) revolving around the following themes:
1. Show support for Ukraine, based on your professional opinions from the art and cultural industry.
2. How can art respond to the anti-war statement and cease-fire appeals in a humanitarian motivation?
3. Calling for attention to the threat faced by the Ukrainian art and cultural industry as well as the fleeing artists.
WHO ARE WE?
We, Open Place and Nien-Ting Chen met at an exhibition in 2019. We decided to collaborate as we shared visions. Through frequent virtual meetings and in-person visits to Ukraine, we witnessed the parties go through the pandemic, the threat foreshadowing the war in Ukraine, and even as the war is ongoing. Now, we ask to tell a story on this virtual platform about the unforeseeable future. But we believe through art, we can continue to strive for communication and exchange.
Open Place started as an initiative of Ukrainian artists founded in 1998. It devotes itself to establishing strong connections between artists and different layers of Ukrainian society. Open Place facilitates exchanges between artists and curators, both in Ukraine and internationally, and promotes collaboration among different parties, in times of transition in art, politics, and society. We believe art and culture play a significant role in fostering diverse perspectives in civil society, resolving conflicts, and challenging discrimination and intolerance in society. We also believe art institutes should be active agents in participating in cultural events, creating common values within the vast social framework, and involving themselves in artistic phenomena and the development of cultural context. Since its founding in 1998, Open Place has executed projects in Ukraine, the US, Sweden, Poland, and Taiwan, among other countries. We hope to expand the influence of art, so more people from different backgrounds can engage in the creative process of art. We engage with participants of diverse backgrounds to participate collectively, through dialogue and art-in-residence projects. And we continue to expand as an initiative of a grassroots network of art in Ukraine and abroad.
Nien-Ting Chen is an independent curator and visual artist who graduated from Glasgow School of Art, UK, with an MFA, and is currently a PhD candidate at Liverpool School of Art and Design at Liverpool John Moores University (LJMU), UK. Her artistic practice and exhibitions are primarily based in cities across Asia and Europe, and her projects focus on sharing artistic resources with young artists worldwide, as well as implementing various curatorial projects to build networks. Currently, her curatorial experience has reached out to various countries to practise the impact of contemporary art in society through transnational contemporary art exchange. Her representative projects include 2021 Down the Melting Pot at the George Town Festival (Malaysia), 2021 Tai Thai Boba Milktea Wave Wave at Digital Art Center, Taipei (Taiwan), 2021 Cyber Labyrinth at Liverpool LightNight (UK), 2018-19 The Unsettled Dust at Asia Short Film Festival, co-curated with Singaporean curator Jaxton Su (Thailand), among others.
Yours Sincerely,
Open Place, interdisciplinary platform from Ukraine
Nien-Ting Chen, independent curator from Taiwan
(本活動已經結束，感謝您的參與)
「我們沒有食物、沒有水、沒有電，許多人一夕間無家可歸，我們的婦女與孩童被迫逃離家園......世上的任何人都不該經歷這些。」 (不具名烏克蘭人，2022年03月07日)
各位好，
我們是來自烏克蘭的跨學科實踐平台Open Place與台灣獨立策展人陳念庭，希望邀請您參與一場人道推廣的藝術行動。我們正在策畫一場線上藝術交流計畫「不穩定關係：異星問候」，本計畫是針對烏克蘭與台灣兩國間海內外不穩定政治與社會情形進行開放性討論並提供多元的發聲管道，計劃預計於4月底成立虛擬實境平台發表，除了線上展覽部分外我們誠摯地邀請海外的藝術工作者、藝術機關單位、美術館及全球各界人士及單位參與，提供您的寶貴意見（文章與影像的形式）探討當前烏克蘭戰爭議題下對反戰與人道關懷的議題，一同透過藝術的方式支持烏克蘭人民。
「不穩定關係：異星問候」從2021年初開始策畫原訂計劃將在2022年四月在烏克蘭的聶伯城世界藝術美術館與烏克蘭國家美術館進行展演與講座活動，目前因為烏克蘭戰爭而無限期延期而改為線上展覽形式，展出作品由11組來自烏克蘭與台灣兩邊具代表性的當代藝術家，透過錄像視覺呈現兩國人在海內外的政治態度與社會觀察，重新探討後冷戰時期兩地緣政治體在世界秩序中的變動。藝術家以人類文明末日式的預言以及重新回顧冷戰時期的氛圍，並持續為戰爭中的烏克蘭作見證。「不穩定關係」做為本次線上展覽的主旨，即過去對於未來的想像正在重新被建構，這樣動盪的時局並非只會發生在烏克蘭人身上，我們希望這場藝術交流能透過虛擬實境的方式讓觀眾感受到現在國際時局的緊張氛圍，並藉由烏克蘭痛苦的經驗幫助我們看見自己現在身處的世界。
這場線上展覽我們邀請到新加坡專業打造網路虛擬實境團隊Xctuality為我們打造一個虛擬實境平台，讓全世界的觀眾只要憑一個連結就能看見這場藝術交流計畫。這個虛擬實境平台總共會分為四個區域，除了一區展出台烏兩國藝術家的錄像作品外，將開放一區(Hand in Hand)留給世界各界藝文人士與單位回應烏克蘭的現況，也呼籲各界重視烏克蘭藝術與文化正因戰爭受到的嚴重侵害。另外，虛擬實境平台也計畫讓世界各地的觀眾能夠參與互動，我們將開放留言區，讓觀眾可以聲援烏克蘭流離失所的人民，而另一區將開放捐款管道，我們會讓有心人士可以透過這個平台直接將心意捐贈到烏克蘭，而不用透過我們或任何第三方平台。
我們相信藝術在社會中扮演重要的角色，透過非侵入式的方式希望啟發他人，鼓勵社會中不同的聲音交流。Open Place與陳念庭誠摯邀請您以書寫文字或是錄製影像參與我們這場藝術交流行動。您可以書寫一段簡短的文字或是錄製一小段影像，回應您對於這場藝術計畫及世界現況的觀點，或是簡單地為烏克蘭藝文人士集氣。完成後請傳給我們，我們將放在虛擬實境平台的專區，讓世界的觀眾都能看見，藉由藝術實踐參與的方式共同關懷與鼓勵正在戰火下堅強生存的烏克蘭人。
展覽預告片
讓我們透過藝術行動聲援烏克蘭。詳細參與方式內容如下：
請將稿件或短片寄至：
HOW TO PARTICIPATE:
方案A) 文字撰寫：請您寫下150左右的文字（英語或烏克蘭語），並以doc或docx寄至以上電子郵件地址。文字可以任何形式(詩、短文、信等)，並請以以下主題作為書寫主軸：
1. 藉由您專業的藝術觀點或是藝文界的職業身分，聲援烏克蘭與反戰宣言
2. 藝術如何發揮其社會參與之作用，達到警示戰爭的意義？
3. 呼籲大眾重視烏克蘭正遭受嚴重侵害的藝術與文化，和流離失所的藝術家。
方案B) 影片錄製 影片長度請控制在5-6分鐘以內，並以MOV或是MP4檔案格式，透過Google Drive或是Drop Box寄至以上電子郵件地址。影片內容可以任何形式(單人演講、創意影片等)，回應以下主題：
1. 藉由您專業的藝術觀點或是藝文界的職業身分，聲援烏克蘭。
2. 藝術如何可以以人道精神回應俄烏戰爭的反戰與停戰訴求？
3. 呼籲大眾重視烏克蘭正遭受嚴重侵害的藝術與文化，和流離失所的藝術家。
我們是誰？
2019年烏克蘭與台灣的策展人在一場展覽中相遇後因為理念相符決定合作，透過密切的視訊交流和實地參訪，我們一同見證兩地經過疫情，並烏克蘭戰前的緊張氛圍，還有現在烏克蘭正經歷的現況。我們希望藉由這個虛擬實境平台來訴說一場對未來惶恐未明的故事，但透過藝術，我們仍然努力保持溝通、交流的空間。
OpenPlace 是一個由烏克蘭藝術家發起的倡議活動，致力於建立藝術家與烏克蘭社會間不同層面的深度連結。Open Place作為一非營利跨學科實踐平台，成立於1998年，鼓勵烏克蘭地區及其他國家的藝術家、策展人交換意見、想法，以及兩者之間的相互影響，期待人們在藝術、政治和社會文化轉型的進程中，建立培養不同觀點的合作關係。藝術與文化在社會中扮演非常關鍵的角色，建立公民社會、解決衝突、克服社會中歧視和狹隘視野，而藝術機構應該在文化活動中扮演積極的角色，與大環境攜手共創共同價值、參與藝術現象及文化脈絡的發展。自1998年成立以來，Open Place執行的多領域計畫已在各國留下足跡(烏克蘭、美國、瑞典、波瀾、台灣等)，期許能將藝術的影響範圍推廣向更多元的觀眾，讓更多人能參與其中，透過交流和駐村計畫，動員來自不同背景的人集體合作，積極在烏克蘭和國外建立以藝術為動能的
獨立策展人陳念庭畢業於英國格拉斯哥藝術學院藝術創作碩士(MFA)，目前為獨立策展人，同時是英國利物浦藝術與設計學院(LSA, LJMU)博士候選人，主要的藝術實踐與發表於亞洲及歐洲各城市，發展計畫主要聚焦於連結世界青年藝術家的資源連結與共享，並執行各項藝術策展計畫建立交流網絡。目前策展經驗已觸及各國，藉由跨國當代藝術交流，實踐當代藝術在社會的影響。其中具代表性的展覽計畫：2021年7月檳城喬治市藝術節The George Town Fesitval「Down the Melting Pot馬來下這鍋」(馬來西亞)；2021年5-7月台北數位藝術中心「泰式波霸撞奶微微-台泰新媒體藝術交流計畫」(台灣)；2021年5月利物浦白晝之夜Liverpool LightNight「Cyber Labyrinth網紀迷宮」(英國)；2018-2019年亞洲短片影展「The Unsettled Dust不滅塵埃」，與新加坡策展人Jaxton Su共同策畫(泰國)等。
敬祝 平安
烏克蘭跨學科實踐平台Open Place 與台灣獨立策展人陳念庭
2022年04月03日
1989 brings the audience back to 1980s school by discipline, political propaganda and mass cultural experimentation. It combines the school ambience of the 1980s and the individual as well as the collective memory of Madonna’s pop songs
1989 brings the audience back to 1980s school by discipline, political propaganda and mass cultural experimentation. It combines the school ambience of the 1980s and the individual as well as the collective memory of Madonna’s pop songs
As a character, the Master of Pistol is a heroic outlaw admired by people as he acts with compassion and a sense of justice. This work is a manifestation of the "underworld” (江湖，/jiāng hú/) in the artist’s mind.
Conveying a mood of loneliness during the pandemic, this animation nevertheless makes a bridge of communication among people.
For the victims of the 2008 cyclone in Myanmar, the trauma caused by this destructive disaster has been treated collectively as a taboo among victims in the village. Can the unspoken and the unspeakable be materialized as a rowing boat?
OOtopia is a deliberate miswriting of “utopia”. OOtopia reflects our distance from the world of the future; the misunderstandings caused by distance are the beginnings of imagination.
Tailings Dam is an art project which formulates a museum of human civilization established in the future after humanity vanishes. This project consists of four parts, with each part referring to a certain human period.
The Battle City Trilogy takes three historic references out of their contexts in order to redefine and rearrange them into a set of prophetic stories and allegories. Their new meanings are gradually revealed as the stories unfold.
The Battle City Trilogy takes three historic references out of their contexts in order to redefine and rearrange them into a set of prophetic stories and allegories. Their new meanings are gradually revealed as the stories unfold.
The artist is interested in the US space race and surveillance plan against the backdrop of the cold war and particularly focuses on the exploration of the interrelation between space and the state.
These two recipes are made up of real advice for cleaners working in the territories where the act of self-immolation took place. The background of the texts is a plant that appeals to both ”mute witnesses” and “camouflage” mimicry.
This work explores how a community project, as a social experiment initiated by the government, has influenced the lives of its residents and how they understand the idea of an utopical city-village now.
Three-year-long observation of Kyiv’s moving landscape, condensed into 10 minutes of screen time.
You Were Come to Me From the Sky Over the Sea explores themes of intergenerational trauma, memory, migration and exile through the lens of a family lineage as well as the island, Taiwan.
3rd April 2022
Unstable Condition-Greeting From A Stranger
Exhibition Statement
“For the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself—so like a brother, really…“ (Albert Camus, The Stranger)
While I pretended to stand beyond the world, I realised that I have been estranged from it…. Our current time seems to be when human civilization is in a state of uncertainty as to where tomorrow will be, and this is no longer an unfounded apocalyptic prophecy. Meursault, a fictional character, created by the 20th century French philosopher Albert Camus, has always looked at the ever-changing world and society in an abstract way, and cares nothing about the cause-and-effect relationship established by the social framework and operational logic of the current evolving world, but intuitively embodies the insightful human civilisation. This art exchange project between Ukraine and Taiwan invites artists from both states to interpret their keen observation and perception of the world’s operation into their art creation, presenting the current world reality of the two states through the history of different stages, technological development, and their own feelings in the world.
It is obvious that crisis and unstable conditions are the main signs of today’s being. In Ukraine, the idea of building a welfare state was replaced with the idea of a neoliberal country, which caused the globalisation of economic processes and the concentration of financial flows in a narrow circle. The war ongoing in Ukraine since 2014 and COVID-19 pandemic have only increased the dynamics of transitions from one unstable to another unsafe state. Ukraine has observed, in the recent ten years, three parallel tectonic shifts happening simultaneously in the political, labour, and cultural spheres. The transition to the political system which we have now has led to a fairly strict system of private control over production and economic benefits, which in turn led to a narrowing of the social field. The dramatic transformations have happened in the labour sphere of Ukraine. The transition from a planned economy to a post-industrial model led to the transformations in the labour market - part-time employment without long-term guarantees and reliable income became the existential facts for most residents of the industrial cities. Uncertainty about the future, anxiety, and instability of social and economic position have caused the bigger challenges. There are rising issues of disintegration of individuals in society, loss of a sense of belonging, individuals falling out of any social group, and the collapse of social connections. Artistic and cultural spheres are also facing a sharp turn worldwide. The instability of the situation has recouped by the amount of participation in various projects, and as a result the time that one spends on reflection, immersion in the topic––its problematization is reduced increasingly.
On the other side of the planet, Taiwan, for a very long time, has been confronted with the fact that it is on the edge of the earth, manipulated by the geopolitical and nationalist ideologies of both neighbouring and international powers. Taiwanese popular slang “Treat me like plastic?” Which interprets, “Am I transparent?” or “Do I mean nothing to you?” This slang gives a sense of the Taiwanese sarcastic spirit that is reflected in daily life under the helpless social stalemate. In the past millennium, Taiwan witnessed a historic shift of political parties, a transfer of power to the oppositional party, ending the fifty-five-year monopoly of the Chinese Nationalist Party (KMT, from ROC) in Taiwan. The hope for democracy, truth, and reconciliation, had finally found a chance to sprout in the gradually changing political environment, empowering people to turn the pages of historical documents, which were once shrouded in the shadow of authoritarianism. Through our own eyes, tearing open the wounds of the past and carrying the pus and blood, step by step, to walk out a new page in the divided political and ethnic groups. However, the gloom persists. Taiwan‘s fate of geopolitics seems inescapable, there is an ever-increasing arms trade, an overlapping competition between economics and national interests.
On the other side of the planet, Taiwan, for a very long time, has been confronted with the fact that it is on the edge of the earth, manipulated by the geopolitical and nationalist ideologies of both neighbouring and international powers. Taiwanese popular slang “Treat me like plastic?” Which interprets, “Am I transparent?” or “Do I mean nothing to you?” This slang gives a sense of the Taiwanese sarcastic spirit that is reflected in daily life under the helpless social stalemate. In the past millennium, Taiwan witnessed a historic shift of political parties, a transfer of power to the oppositional party, ending the fifty-five-year monopoly of the Chinese Nationalist Party (KMT, from ROC) in Taiwan. The hope for democracy, truth, and reconciliation, had finally found a chance to sprout in the gradually changing political environment, empowering people to turn the pages of historical documents, which were once shrouded in the shadow of authoritarianism. Through our own eyes, tearing open the wounds of the past and carrying the pus and blood, step by step, to walk out a new page in the divided political and ethnic groups. However, the gloom persists. Taiwan‘s fate
3rd April 2022
Нестабільний стан - Вітання від Незнайомця
Заява про виставку
«Споглядаючи це нічне небо, всіяне таємничими знаками і зірками, я вперше відкрив свою душу тихій байдужості світу. Я збагнув, який він подібний до мене, ніби мій брат».
(Альбер Камю. Сторонній).
Поки я вдавав, що стою поза світом, я раптом зрозумів, що був відсторонений від нього… Здається, що в наш нинішній час людська цивілізація перебуває в стані невизначеності щодо того, де буде завтра, і це вже не просто безпідставне апокаліптичне пророцтво. Мерсо, персонаж вигаданий французьким письменником і філософом 20-го століття Альбером Камю, дивиться на обставини свого життя, що постійно змінюються, як га ланцюжок випадковостей, його не хвилює причинно-наслідковий зв'язок, встановлений соціальними рамками та системою, і в результаті система його вбиває. Цей проект обміну між Україною та Тайванем запрошує художників з обох держав інтерпретувати свої глибинні спостереження та сприйняття світоустрою у творах мистецтва, і представити сучасну реальність своїх країн через різні історичні етапи, технологічний розвиток та власне відчуття у світі.
Очевидно що кризові і нестабільні стани є головною ознакою нашого буття. В Україні перехід від ідеї побудови соціальної держави до ідеї неоліберальної країни, глобалізація економічних процесів і зосередження фінансових потоків у вузькому колі. Війна, що триває в Україні з 2014 року і пандемія КОВІД з 2019 року тільки підсилили динаміку переходів від одного до іншого нестабільного стану. Останні тридцять років ми спостерігаємо три паралельних тектонічних зсуви що відбуваються одночасно як в політичній, трудовій так і культурній сфері України. Жорстка система приватного контролю над виробничими та економічними благами призвела до звуження соціального поля. Перехід від планової економіки до постіндустріальної моделі, призвів до корінних змін на ринку праці - часткова зайнятість без довгострокових гарантій і надійного заробітку стали екзистенціальною основою для більшості жителів індустріальних міст. Невпевненість у завтрашньому дні, тривожність, нестабільність соціального і економічного становища сприяють розвитку більших проблем - дезінтеграції індивіда в суспільстві, втрати почуття приналежності та випадання з будь-якої соціальної групи і розпаду соціальних зв'язків. В художній і культурній сфері також відбувся колосальний поворот. Індивідуальна підприємницька творчість, великої кількості акторів сучасного культурного сектору виключає конкретну мету, певну стратегію і художню програму. Нестабільність становища компенсується зростанням кількості залучення в різноманітних проєктах, що призводить до скорочення часу на усвідомлення, розуміння глибини теми і її проблематизації, що в свою чергу призводить до сплощення культурної сфери.
На іншому кінці світу, Тайвань (Формоза) протягом дуже довгого часу стикався з фактом, що він знаходиться на краю землі, керований геополітичною і націоналістичною ідеологією як сусідніх, так і міжнародних держав. Популярний тайванський сленг: «Обходишся зі мною, як з пластиком?» Що означає: сприймаєш мене як фальшивку або сміття? Цей сленг вивільняє тайванський саркастичний настрій, що відображає безпорадний соціальний глухий кут в повсякденному житті. Останнім часом Тайвань став свідком історичної зміни політичних партій і переходу влади до опозиційної партії, що поклало край 55-річній монополії Китайської націоналістичної партії на Тайвані. Надія на демократію, правду та примирення нарешті знайшла шанс прорости в політичному середовищі, що поступово змінюється. Люди отримали можливість перегортати сторінки історичних документів, які колись знаходилися в тіні авторитаризму. Власними очима, роздираючи рани минулого, що несуть гній і кров, крок за кроком виходити на нову сторінку. Однак похмурість зберігається. Доля геополітики Тайваню здається неминучою - постійне нарощування кількості озброєння і конкуренція між економічними та національними інтересами.
І Україна, і Тайвань живуть під порочною «турботою» сусідніх держав, зберігаючи при цьому делікатні безпечні відносини зі світовими державами. Цей умовний баланс був порушений початком військових дій Росії проти України 24 лютого 2022 року. «Нестабільний стан» – тема проекту обміну творами сучасного мистецтва між Україною та Тайванем. Нинішня війна пандемія виявили, що картина світу, яку ми собі малювали, уявляючи майбутнє, руйнується. І зараз час для людей об’єднатися щоб спільно протистояти труднощам. Але людська цивілізація, що застрягла в існуючих політичних та ідеологічних обмеженнях, не в змозі пробитися крізь стіни, які сама ж збудувала. У цей момент сучасної кризи ми знову маємо знайти відповідь на питання, куди ми прямуємо? Мистецький проєкт запрошує глядачів замислитися над нашим поточним станом. Митці відстежують мікроматеріальні свідчення, щоб обговорити складне і заплутане минуле у своїх країнах, та засобами мистецтва реконструювати історичні відносини між майбутнім і минулим. Твори мистецтва з’ясовують дилему нашої власної національності, і делікатної позиції ідентичності, на межі владних кордонів маніпулювання реальністю та вигадкою.
烏克蘭跨學科實踐平台Open Place 與台灣獨立策展人陳念庭
2022年04月03日
不穩定關係：異星問候Unstable Condition: Greeting From A Stranger
展覽論述
「面對充滿預兆與星辰的夜晚，我第一次向宇宙溫柔的冷漠打開心扉。覺得是那麼得像我，那麼的如兄弟般...」（卡繆，《異鄉人》）
一直以為自己身在孤獨漂流的星河之中，卻忽然地聽見冷漠宇宙深處中，傳來了某種回應...當前人類現代文明正處在一種未知混沌不明的狀態–––這不再是杞人憂天的世界末日預言，當COVID-19席捲全球至2022年的當下，人們進入疫情時代已兩餘年，而在這動盪未明的狀態中，隨全球疫情調適成為當前生活的『新』日常。在地球的一端，臺灣人面對疫情肆虐，善用大數據化解疫情帶來的一波波危機，讓居於世界各處的人對臺灣的印象加深。臺灣作為夾雜在鄰近大國與國際勢力之間的其中一員，地緣政治的牽累與國族意識的操弄本反應在混亂的國家指代上，但臺灣人卻能以小確幸、詼諧、微微惡搞的風格回擊現實的殘酷與無奈，進而發展出自己的特色與精神。同在地球另一端的烏克蘭在國內外政治中也反應面臨鄰國與國際強權的壓力，烏克蘭在1991年獨立以來，過往政府承諾建立長遠的經濟計畫，以成為「福利國家」(Welfare State)為目標，這承諾卻破局在新自由主義的潮流之下。在2014年烏克蘭爆發頓巴斯戰爭，揭櫫烏克蘭親歐派與親俄派關係抵達臨界點，獨立後的種種跡象促使烏克蘭人們，集體形成一種對過往緬懷的方式(Paying Homage to Nostalgia)批判當前國家政權的當代民族思潮。
20世紀法國哲學家卡繆《異鄉人》筆下的莫梭始終以抽離的方式觀看不斷變動的世界與社會，不在乎當下文明演進的社會框架與運作邏輯所建立的因果關係，但卻能直觀地反映出富有知性的文明洞見。本次臺灣烏克蘭交流展邀請兩國藝術家，以敏銳的世界運作觀察與見解轉換於藝術創作中，透過不同階段與國家科技發展的歷史和自身所處的世界感受，呈現出兩國族當下所處的世界現實情境。
當人們仰望星空，是對阿姆斯壯登月的烏托邦願景的投射，還是對未來宇宙資源利用進行展望？展出藝術家林哲志透過虛構臺美太空探索計劃，回溯早期太空競賽時期，反思臺灣島嶼歷經政權更迭仍然無法形成集體認同的狀態。烏克蘭在蘇聯時代曾是太空火箭設計與製造的重要發展區域。太空計畫作為現代人類文明發展的指標，即使在蘇聯瓦解後，烏克蘭所承襲的知識與技術仍是全球強國競逐的重要資產。Daniil Revkovskiy and Andriy Rachinskiy的作品「尾礦壩（Tailing Dam）」則是對人類文明過往科技技術發展的反思，透過調查烏克蘭工業殘留物的區域歷史，以災難回顧現代人類文明的進程。現代人類文明發展已經逐漸成為科技史的同義詞，疫情時代將現代人類推入加速虛擬化的世界，大量、迅速、多樣的資訊量是構築虛擬世界的基本特徵，同時資訊審查真偽也成為現代社會的重大議題。雪克作品「1989」透過視覺與聲音勾起臺灣80年代的童年畫面，探究記憶中美好單純的年代，是如何在國家投餵的資訊中被塑造出。Pavlo Kovach作品「案發現場清理指南（Recipes）」則藉由像是街道上的廣告立牌，挑戰社會的集體記憶與價值定義，在以秒為單位更新的世界狀況之中，有誰還記得昨天報紙上的訃聞？
「不穩定關係 Unstable Condition」是本次臺灣與烏克蘭當代藝術交流展聚焦的主題，在疫情不穩定的當前，是人類作為生存共同體必需團結面對困境的起始點，人類文明卻還卡在當前政治與意識形態的設限而無法突破自設的思想圍牆。在這當代「新冷戰」的危機中，我們再度反思––我們究竟身處何方？本次展覽是臺灣與烏克蘭兩國首次針對兩國的國族歷史與政治發展進行的藝術交流雙邊合作，當前的臺灣與烏克蘭一般大眾對於彼此國家的認知都停留在淺層的文化刻板印象，兩國同身處一個地球，卻猶如置身異星球般陌生。展覽名稱「異星問候 / Greeting From A Stranger」油然而生，期待雙方透過友好的問候，打開兩國人民對彼此認識的契機。本次展覽串聯了臺灣與烏克蘭四個城市，展覽地點選在同樣是由工業城市轉型藝文產業蓬勃的藝術城市臺中（預期）與烏克蘭聶伯城，以展覽開啟與當地民眾的認識進而創造對話的機會。交流計劃同時也會在兩國的首都臺北與基輔舉辦研討會與藝術家講座，讓雙邊的藝文工作者能擴展彼此的連結在四個不同的城市。本次交流展由臺籍策展人陳念庭與烏克蘭跨領域平臺Open Place共同策劃，邀請十一組橫跨不同年齡層的臺灣與烏克蘭代表性錄像藝術家，透過錄像藝術呈現臺灣人與烏克蘭人在海內外的政治態度與社會現象觀察。其中展出的六件新作，緊扣展覽主題，以細膩的微物證方式梳理自身國家中複雜又糾結的過去，期許透過藝術的方式帶領觀眾抽離自身場域從太空向不同的星球彼此問候。